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James Reaney

  • Colleen Thibaudeau: My Granddaughters Are Combing Out Their Long Hair

    May 12th, 2012

    By special request —
    and in honour of mothers and grandmothers everywhere —
    here is a poem by Colleen Thibaudeau.

    My Granddaughters Are Combing Out Their Long Hair

    my granddaughters are combing out their long hair sitting at night
    on the rocks in Venezuela       they have watched their babes
    falling like white birds from the last of the treetop cradles
    they have buried them in their hearts where they will never forget
    to keep on singing them the old songs

    brought down to earth they use twigs, flint scrapers acadian
    their laughter underground makes the thyme flower in darkness

    my granddaughters are thin as fishbones & hornfooted but they are
    always beautiful under the stars: like little asian paperthings
    they seem to open outward into their own waterbowl

    mornings they waken to Light’s chink ricocheting
    off an old Black’s Harbour sardinecan.

    Reduce them the last evangelines make them part of the stars.

    my granddaughters are coming out by night combing their burr
    coloured hair by the rocks and streamtrickle in Venezuela
    they are burnt out as falling stars but they laugh
    and keep on singing them the old songs.

    Colleen Thibaudeau, 1977

     

    Colleen Thibaudeau, Summer 1977 in London, Ontario
  • James Reaney honoured by Devil’s Artisan

    April 25th, 2012

    Devil’s Artisan, founded in 1980 to present to Canadian readers “information on the craft of printing and bookmaking, on bibliographic and historic matters, and on communicative, sociological, and technical subjects related to printing,” has added James Reaney to its Rogue’s Gallery of the Canadian Book and Printing Arts this month.

    “In the spirit of Gutenberg, printing copies of the Bible for lay people to read, and of William Blake, infernally printing his own illustrated poems, Reaney hand-set Alphabet and printed it with a motorized Chandler & Price vertical platen press.”

    We know James Reaney would appreciate this honour, and his deepest wish was that others would be inspired to write and publish their stories.

    “Two years later (printing lessons, typesetting, waiting for t’s to come from Toronto, balancing trays of type on buses rolling in blizzards) here it is.” — James Reaney, July 1960, from the Editorial to Alphabet, Issue No. 1.

    “The Poet’s Typewriter” by James Reaney, 1997
  • National Poetry Month celebration for Colleen Thibaudeau

    April 15th, 2012

    April 14, 2012: Thank you everyone who came to celebrate National Poetry Month and Colleen Thibaudeau’s poem “Balloon,” which is displayed on a billboard near the junction of Stanley Street and Wortley Road in London, Ontario.

    It was a windy day, but you all held on bravely. Many thanks to Carolyn Doyle, Supervisor of the Landon Branch Library, and  Christine Walde of Poetry London for organizing the event, and to Glenn and Peggy Curnoe for their photos. (Poetry London also has photos on their Facebook page.)

    April 14, 2012: “Balloon” by Colleen Thibaudeau, 1925-2012
    April 14, 2012: Celebrating National Poetry Month. Jean McKay was on hand to play her fiddle.
    April 4, 2012: Elizabeth Reaney celebrates her grandmother’s poem
  • Balloon by Colleen Thibaudeau and National Poetry Month

    April 3rd, 2012

    To honour poet Colleen Thibaudeau (1925-2012), Colleen’s poem “Balloon” is now on display on a billboard near Stanley Street and Wortley Road in London, Ontario. The billboard is a joint project of Poetry London, the London Public Library, and Brick Books, in celebration of National Poetry Month.

    “Balloon” by Colleen Thibuadeau in London, Ontario.
    Photo by Chrsitine Walde, 2012

    Colleen knew about the plan to put her poem on a billboard earlier this year before she passed away and was thrilled to think that her poem would be writ large for all to see. Thank you so much!

    “Balloon” is a concrete poem and was first published in 1965 in Colleen’s book Lozenges: Poems in the Shapes of Things by James Reaney’s Alphabet Press. For this month only, the London Public Library has free postcards of “Balloon.”

    Colleen Thibaudeau Reaney, 1925-2012 Photo by Diane Thompson, 1997

     

     

  • Jay Macpherson 1931-2012

    March 24th, 2012

    We are sad to learn of the passing of Jay Macpherson, who was a longtime friend of James and Colleen Reaney and their family. Jay was a poet and University of Toronto professor who first came to know the Reaneys in the 1950s. She passed away on March 21, 2012.

    Jay Macpherson, 1931-2012

    Jay Macpherson will long be remembered for her kindness and intelligence, and her brilliant poetry. Here are two poems by Jay Macpherson that James Reaney published in the first issue of Alphabet in September 1960.

    The Love-Song of Jenny Lear

    Come along, my old king of the sea,
    Don’t look so pathetic at me:
    We’re off for a walk
    And a horrid long talk
    By the beautiful banks of the sea.

    I’m not Arnold’s Margaret, the pearl
    That gleamed and was lost in a whirl,
    Who simpered in churches
    And left him on porches,
    But more of a hell of a girl.

    Poor old fish, you’re no walker at all,
    Can’t you spank up that elderly crawl?
    I’ll teach you to hurdle,
    Led on by my girdle,
    With whalebone, elastic and all.

    We’ll romp by the seashore, and when
    You’ve enough, shut your eyes and count ten.
    I’ll crunch down your bones,
    Guts marrow and stones,
    Then raise you up dancing again.

    Love-Song II of Jenny Lear

    Were I a Shakespearean daughter,
    Safe restored through fire and water,
    You the party in the crown
    —Someone get the curtain down.

    Jay Macpherson, 1960

    “Six Toronto Poets”, Folkways Records, 1958

    Jay Macpherson won the Governor General’s Award for Poetry in 1957 for her book The Boatman. She can be heard reading her poem “The Boatman” on “Six Toronto Poets,” a recording made in 1958 on Folkways Records. (James Reaney also reads his work on this album, along with Margaret Avison, W.W. Eustace Ross, Raymond Souster, and Anne Wilkinson.)

    Here is part of James Reaney’s appreciation of Jay Macpherson’s The Boatman from Canadian Literature No. 3, Winter 1960:

    Perhaps the best way to conclude what should be said in praise of The Boatman is that it shows you how to get from “here to there”. If “here” is this world and “there” the world of Eternity, then this book of poems shows the reader all the necessary steps of the way. These are steps that I am sure an increasingly great number of readers and writers in Canada are going to find very exciting to take.

    (Excerpted from James Reaney, “The Third Eye: Jay Macpherson’s The Boatman“, published in Canadian Literature, Issue No. 3, pages 24-24, Winter 1960, page 34.)

     

  • Taptoo! in Toronto and John Beckwith’s new memoir

    March 18th, 2012

    Thank you and congratulations to all the fine musicians and singers who performed Taptoo! so splendidly last month at the Jane Mallett Theatre at the St. Lawrence Centre for the Arts in Toronto.  Your spirited performances brought the characters to life.

    We especially liked young Daniel Bedrossian as Seth Jr. and Teddy Perdikoulias as Ebenezer Jr., and Lise Maher as Mrs. Jarvis and Allison Angelo as Atahentsic were wonderful in Act II. We loved Todd Delaney as Major John Graves Simcoe and Robert Longo as Colonel “Mad Anthony” Wayne.

    Thank you, Larry Beckwith, for conducting and directing the orchestra and singers so well. And thank you, Guillermo Silva-Marin, General Director of Toronto Operetta Theatre, for making the premiere of John Beckwith and James Reaney’s work possible. We wish you every success in the future.

    John Beckwith, composer, and his son Larry Beckwith, Conductor and Chorus Director at Taptoo!, February 25, 2012.

    The Jane Mallett Theatre, Toronto, February 25, 2012

    James Reaney and John Beckwith developed Taptoo! in 1994, when it had a workshop reading at Historic Fort York. Before this professional production (February 24-26, 2012), there were two presentations of Taptoo! by the students of McGill University (1999) and by the opera division of the University of Toronto Faculty of Music (2003).

    In his new memoir, Unheard Of: Memoirs of a Canadian Composer,  John Beckwith recalls his life as a composer, including his collaborations with James Reaney. The book is available from Wilfrid Laurier University Press.

    James Reaney and John Beckwith, Summer 2003, in London, Ontario. Photo by Colleen Reaney

  • Colleen Thibaudeau Reaney, 1925-2012

    February 16th, 2012

    Colleen Thibaudeau Reaney, poet and beloved wife of James Reaney, passed away on February 6, 2012 in London, Ontario. Colleen will long be remembered by her family, neighbours, and many friends.

    Colleen’s poems and short stories have appeared in magazines and journals since 1945. Here is a poem Colleen wrote in 1984 in her book The Martha Landscapes.

     

    The Star Over the House Quilt (Last night I dreamed…)

    Last night I dreamed about you all under the Star Over the House Quilt;
    I remember mother making it: the little squares of jonquil window lit
    The doors, shutters often green. Your block has still the hollyhock (french knots)
    Mine has the lilac (front yard), looking hard the lilacs still are blooming there,
    The real ones down — time and town development don’t affect the quilt.

    Each of us, house body, and the star, the star-filled head;
    Each of us bedded down lifetime dreams the star-filled town
    Waking goes walking the houses of our own making, talking the blocks away.
    I might move into you taking on hollyhock            but it’s not
    Me really just the dreaming of the star-filled head.

    The Star Over the House Quilt she made it extra size;
    Her eyes puzzled out each stitch; she declared her fingers to be all pricked
    And she licked the blood from roofs, sidewalks, from the small yards
    With the ever-blooming trees pointing to the stars
    Of the Star Over the House Quilt.

    Sheila and Colleen in St. Thomas, Ontario, 1942

    Colleen Thibaudeau and James Reaney, 1949

    James Reaney and Colleen Thibaudeau near Stratford, Ontario, 1982.

    Update March 3, 2012:  In tribute to Colleen Thibaudeau and her work, the London Public Library, Brick Books, and Poetry London have commissioned a billboard with her poem “Balloon”. The billboard will go up sometime in the week of March 26, and there will be a a “Balloon” billboard launch on Saturday April 14 at 3:00 pm. The library is also printing postcards of “Balloon” to hand out during April, which is National Poetry Month.

     

  • Taptoo! premiere in Toronto on February 24-26

    January 23rd, 2012

    On February 24-26 next month in Toronto, the Toronto Operetta Theatre will present the premiere of Taptoo!, an opera in two acts, libretto by James Reaney and music by John Beckwith.

    The opera is based on events surrounding the founding of the town of York, Upper Canada (now Toronto), roughly from 1780-1810. Using real historical characters like Major John Graves Simcoe as well as imaginary ones, the story tells how a Quaker family, the Harples, flee America to Canada to escape mob violence:

    From Scene 1:

    MOB: Take off your hat
    To the emblem of our state,
    Our state, our state!

    TWO VOICES:  (shouting) The rattlesnake!

    JESSE: Friends, I will
    Take off my hat
    To neither king nor republic
    Nor a flag, nor a …

    MOB: You don’t want freedom?

    JESSE: Yes. Freedom from all oppressors
    Kings or — mobs like yourselves!

    MOB: (shouting in unison)
    Take off your hat!

    (Jesse does not move. Pause, then sudden quick action as they seize him.)

    MOB: Tar and feather him!
    Seize that tub,
    Burn that little flag there!

    In a recent article about his collaboration with James Reaney, John Beckwith describes the music of Taptoo! “as the modern equivalent of a ballad opera, in which scraps of familiar songs and dances would now and then drift in to the musical score. I included about 20 such musical references — hymn tunes, popular sentimental or patriotic songs, dances, marches and, of course, historical military music.”*

    Taptoo! will be led by Larry Beckwith, Conductor, and Guillermo Silva-Marin is the Stage Director. Featured performers are Robert Longo,Michael Barrett, Todd Delaney, Sarah Hicks, and Mark Petracchi.

    When: February 24 and 25 at 8 pm; February 26 at 2 pm

    Where: Jane Mallett Theatre, St. Lawrence Centre, 27 Front Street East Toronto, M5E 1B4

    Order your tickets here from the St. Lawrence Centre box office, or

    by phone: (416) 366-7723 or 1-800-708-6754

    See you there!

    Old Fort York at the foot of Bathurst Street in 1793

    The full libretto for James Reaney’s Taptoo! is available in Scripts: Librettos for Operas and Other Musical Works, published by Coach House Books.

    *John Beckwith, “Portrait of a partnership,” Opera Canada, Fall 2011, page 32.

  • The Essential James Reaney now available as an e-book

    January 10th, 2012

    Tim Inkster at The Porcupine’s Quill tells us that The Essential James Reaney, edited by Brian Bartlett, is now available in e-book format. A Suit of Nettles is also available as an e-book.

    The Essential James Reaney

    A Suit of Nettles (3rd ed. 2010)

  • Merry Christmas!

    December 12th, 2011

    “Angel” woodcut by James Reaney, 1980

    Yes we are that too: we are everything who feel it.
    Everything that has meaning has the same meaning as angels: these
    hoverers and whirrers: occupied with us.
    …
    When the band of the moment breaks there will come angelic
    recurrence.

    — Colleen Thibaudeau Reaney, from “This Elastic Moment”

    All the best for the holidays and for 2012

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  • New second edition of Colleen Thibaudeau’s Lozenges originally published by James Reaney’s Alphabet Press

    In late summer 1965, James Reaney’s Alphabet Press printed the first edition of Colleen Thibaudeau’s Lozenges: Poems in the Shapes of Things in London, Ontario. Thibaudeau’s husband James Reaney typeset the poems and also designed the cover. In fall 2024, Hilary Neary, historian and former Alphabet Magazine designer, proposed a facsimile second edition of the…

  • Peggy Roffey presents Colleen Thibaudeau’s Big Sea Vision

    Thank you for coming to the 16th annual James Reaney Memorial Lecture celebrating poet Colleen Thibaudeau’s ‘Big Sea’ Vision this past Saturday November 29th. This year’s lecture is part of Colleening 2025, a year-long celebration of Colleen Thibaudeau’s centenary. Thank you, Peggy Roffey, for leading us through a thoughtful exploration of Thibaudeau’s poetry. After getting us to…

  • The 2025 James Reaney Memorial Lecture on November 29

    This year, in the spirit of metaphor, the 2025 James Reaney Memorial Lecture steps to the side and shows the “she” beside the “he”: James Reaney’s wife, poet Colleen Thibaudeau (1925-2012). Join us on Saturday November 29th at the London Public Library Central Branch for poet Peggy Roffey’s presentation “Colleen Thibaudeau’s Big Sea Vision”. In a combination…

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