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James Reaney

  • Colleen Thibaudeau Reaney, 1925-2012

    February 16th, 2012

    Colleen Thibaudeau Reaney, poet and beloved wife of James Reaney, passed away on February 6, 2012 in London, Ontario. Colleen will long be remembered by her family, neighbours, and many friends.

    Colleen’s poems and short stories have appeared in magazines and journals since 1945. Here is a poem Colleen wrote in 1984 in her book The Martha Landscapes.

     

    The Star Over the House Quilt (Last night I dreamed…)

    Last night I dreamed about you all under the Star Over the House Quilt;
    I remember mother making it: the little squares of jonquil window lit
    The doors, shutters often green. Your block has still the hollyhock (french knots)
    Mine has the lilac (front yard), looking hard the lilacs still are blooming there,
    The real ones down — time and town development don’t affect the quilt.

    Each of us, house body, and the star, the star-filled head;
    Each of us bedded down lifetime dreams the star-filled town
    Waking goes walking the houses of our own making, talking the blocks away.
    I might move into you taking on hollyhock            but it’s not
    Me really just the dreaming of the star-filled head.

    The Star Over the House Quilt she made it extra size;
    Her eyes puzzled out each stitch; she declared her fingers to be all pricked
    And she licked the blood from roofs, sidewalks, from the small yards
    With the ever-blooming trees pointing to the stars
    Of the Star Over the House Quilt.

    Sheila and Colleen in St. Thomas, Ontario, 1942
    Colleen Thibaudeau and James Reaney, 1949
    James Reaney and Colleen Thibaudeau near Stratford, Ontario, 1982.

    Update March 3, 2012:  In tribute to Colleen Thibaudeau and her work, the London Public Library, Brick Books, and Poetry London have commissioned a billboard with her poem “Balloon”. The billboard will go up sometime in the week of March 26, and there will be a a “Balloon” billboard launch on Saturday April 14 at 3:00 pm. The library is also printing postcards of “Balloon” to hand out during April, which is National Poetry Month.

     

  • Taptoo! premiere in Toronto on February 24-26

    January 23rd, 2012

    On February 24-26 next month in Toronto, the Toronto Operetta Theatre will present the premiere of Taptoo!, an opera in two acts, libretto by James Reaney and music by John Beckwith.

    The opera is based on events surrounding the founding of the town of York, Upper Canada (now Toronto), roughly from 1780-1810. Using real historical characters like Major John Graves Simcoe as well as imaginary ones, the story tells how a Quaker family, the Harples, flee America to Canada to escape mob violence:

    From Scene 1:

    MOB: Take off your hat
    To the emblem of our state,
    Our state, our state!

    TWO VOICES:  (shouting) The rattlesnake!

    JESSE: Friends, I will
    Take off my hat
    To neither king nor republic
    Nor a flag, nor a …

    MOB: You don’t want freedom?

    JESSE: Yes. Freedom from all oppressors
    Kings or — mobs like yourselves!

    MOB: (shouting in unison)
    Take off your hat!

    (Jesse does not move. Pause, then sudden quick action as they seize him.)

    MOB: Tar and feather him!
    Seize that tub,
    Burn that little flag there!

    In a recent article about his collaboration with James Reaney, John Beckwith describes the music of Taptoo! “as the modern equivalent of a ballad opera, in which scraps of familiar songs and dances would now and then drift in to the musical score. I included about 20 such musical references — hymn tunes, popular sentimental or patriotic songs, dances, marches and, of course, historical military music.”*

    Taptoo! will be led by Larry Beckwith, Conductor, and Guillermo Silva-Marin is the Stage Director. Featured performers are Robert Longo,Michael Barrett, Todd Delaney, Sarah Hicks, and Mark Petracchi.

    When: February 24 and 25 at 8 pm; February 26 at 2 pm

    Where: Jane Mallett Theatre, St. Lawrence Centre, 27 Front Street East Toronto, M5E 1B4

    Order your tickets here from the St. Lawrence Centre box office, or

    by phone: (416) 366-7723 or 1-800-708-6754

    See you there!

    Old Fort York at the foot of Bathurst Street in 1793

    The full libretto for James Reaney’s Taptoo! is available in Scripts: Librettos for Operas and Other Musical Works, published by Coach House Books.

    *John Beckwith, “Portrait of a partnership,” Opera Canada, Fall 2011, page 32.

  • The Essential James Reaney now available as an e-book

    January 10th, 2012

    Tim Inkster at The Porcupine’s Quill tells us that The Essential James Reaney, edited by Brian Bartlett, is now available in e-book format. A Suit of Nettles is also available as an e-book.

    The Essential James Reaney
    A Suit of Nettles (3rd ed. 2010)
  • Merry Christmas!

    December 12th, 2011
    “Angel” woodcut by James Reaney, 1980

    Yes we are that too: we are everything who feel it.
    Everything that has meaning has the same meaning as angels: these
    hoverers and whirrers: occupied with us.
    …
    When the band of the moment breaks there will come angelic
    recurrence.

    — Colleen Thibaudeau Reaney, from “This Elastic Moment”

    All the best for the holidays and for 2012

  • Bravo for “Crazy to Kill”

    November 15th, 2011

    Congratulations to the singers and musicians who performed James Reaney and John Beckwith’s opera “Crazy to Kill” last weekend in Toronto, November 11-12, a Toronto Masque Theatre production. Here’s a rave review from some members of your enthusiastic audience:

    We thought the production was fantastic! The opera singers can truly add “puppeteers” to their CV’s.

    Loved the way everyone moved about the stage — when Agatha slowly drifted past us, it made us part of the story.  A great set, with many levels (“rings”).

    Loved the opening sewing scene when Agatha mimed the old treadle — and the sound effect, a great idea! Also loved her expressive face peering through the bed pillow — another great idea.
    The two musicians, Greg Oh (piano) and Ed Reifel (percussion), sounded like a full orchestra. We loved how they were in costume and part of the story!

    You must all be exhausted, but also pleased that it was such a success. Jamie would have been delighted.

    Thank you again,
    Susan, James, and Elizabeth

     

    Two of the puppets from “Crazy to Kill.” The original puppets were designed and made by Anna Wagner Ott in 1989, and  were refurbished by Ann and David Powell in 2011.
    Crazy to Kill: Miss Scarth
    Tim O’Connor, the red-haired asylum guard, was operated by Brendan Wall. Mezzo soprano Kimberly Barber, who played Agatha, operated Miss Scarth.
    Costume designer Sue LePage chats with John Beckwith after the show, November 12, 2011
    Pre-show talk with James Stewart Reaney, Larry Beckwith, and John Beckwith
  • Crazy to Kill In Toronto, November 11-12

    November 1st, 2011

    This month Toronto Masque Theatre presents James Reaney and John Beckwith’s opera Crazy to Kill, which was first performed in 1989.

    Based on Ann Cardwell’s 1941 mystery novel about a series of murders in a mental asylum, the opera has 22 roles and requires three singers, two actors, and 18 puppets. In this production, David Ferry directs mezzo-soprano Kimberly Barber as Agatha, soprano Shannon Mercer as Mme. Dupont, Doug MacNaughton as Detective Fry, and actors Ingrid Doucet and Brendan Wall.

    Crazy to Kill

    Friday, Nov. 11 and Saturday, Nov. 12, 2011 at 8:00 p.m.

    Pre-show chat with Artistic Director Larry Beckwith: 7:15 p.m.

    Enwave Theatre at Harbourfront Centre
    231 Queen’s Quay West

    Tickets: $40 regular/$33 senior/$20 under 30

    You can order tickets online from Toronto Masque Theatre. See you there!
    Puppets from Crazy to Kill

     

     

  • James Reaney Memorial Lecture hosted by Poetry Stratford

    October 19th, 2011

    Thank you all for coming to the lecture on Sunday afternoon to hear composer Peter Denny talk about his collaboration with James Reaney on Terrible Swift Sword, an experimental modern opera. Denny played recordings of some of the music, which requires singer-actors who can improvise melodies to go with Reaney’s words.

    Marian Johnson, producer and stage manager of the play, also spoke about her memories of the 1991 week-long workshop production. Actors Dale Bell and Joanne Lubansky read scenes from the play between General Beauregard and Letitia Beauregard.

    Our thanks also to the organizers of the lecture at the Stratford Public Library, Charles Mountford, Anne Marie Heckman, and Sam Coghlan.

     

  • James Reaney Memorial Lecture on October 16 in Stratford

    September 24th, 2011

    Join us on Sunday, October 16 at 2:30 pm at The Stratford Public Library Auditorium in Stratford, Ontario, for a talk by composer Peter Denny at the second annual James Reaney Memorial Lecture. Denny, a long-time friend, will speak about his collaboration with James Reaney on Terrible Swift Sword, an experimental modern opera.

    James Reaney presented Terrible Swift Sword in a 1991 workshop at the Blyth Festival. The story, set in the defeated South at the end of the American Civil War, parallels the story of King Saul and David. Like the story, the music is also layered, built around a community production of Handel’s oratorio Saul.

    In his lecture, Peter Denny will talk about the creative elements behind the 1991 performance of Terrible Swift Sword. He will play recordings of some of the music, and read from the script and from the Biblical source.

    The annual lecture is a project developed by The Stratford Public Library and Poetry Stratford, and features a talk by a person who is knowledgeable about the life and work of Stratford poet and playwright James Reaney and of writing in the Southwestern Ontario region, which is such a strong element in Reaney’s writing.

    The Stratford Public Library is located at

    19 St. Andrew Street,

    Stratford, Ontario

    N5A 1A2

     

  • James Reaney paintings at Museum London

    August 26th, 2011

    Four rural landscape paintings by James Reaney are part of the Pastorale exhibition at Museum London from July 16 to October 9, 2011. The paintings feature views of the Canadian farm and are chosen from the Museum’s permanent collection.

    Drawing and painting were a “constant” in James Reaney’s life, and these landscape paintings grew out of a desire to “keep a record” of the world he knew (see Jean McKay’s article,“What on earth are you doing, Sir?” ArtScape, Issue 5, June 2006, 10). Here is a painting James Reaney made in Oxford County in 1978.

    Watercolour by James Reaney, East Zorra, Oxford County, Near Cassel Mennonite Church, September 2, 1978
  • The Royal Visit

    July 1st, 2011

    Here is a poem James Reaney wrote about the 1939 Royal Visit to Canada by Their Majesties King George VI and Queen Elizabeth.

    The Royal Visit

    When the King and Queen came to Stratford
    Everyone felt at once
    How heavy the Crown must be.
    The Mayor shook hands with their Majesties
    And everyone presentable was presented
    And those who weren’t have resented
    It, and will
    To their dying day.
    Everyone had almost a religious experience
    When the King and Queen came to visit us
    (I wonder what they felt!)
    And hydrants flowed water in the gutters
    All day.
    People put quarters on the railroad tracks
    So as to get squashed by the Royal train
    And some people up the line at Shakespeare
    Stayed in Shakespeare, just in case—
    They did stop too,
    While thousands in Stratford
    Didn’t even see them
    Because the Engineer didn’t slow down
    Enough in time.
    And although,
    But although we didn’t see them in any way
    (I didn’t even catch the glimpse
    The teacher who was taller did
    Of a gracious pink figure)
    I’ll remember it to my dying day.

    Their Majesties King George VI and Queen Elizabeth on board the royal train, May 31, 1939.

    For more about the 1939 Royal Visit, see the Special Trains page at Library and Archives Canada.

     

    The Royal Visit is included in James Reaney’s first collection of poems The Red Heart (1949). The poem also appears in James Reaney’s 1967 play Colours in the Dark, where it follows an actual letter a child wrote to his father describing how the Royal train failed to slow down on that day (see Act I Scene 13).

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  • June 10-14: AlvegoRoot presents James Reaney’s Take the Big Picture

    June 10-14 at Fanshawe Pioneer Village, Alvegoroot Theatre presents Take the Big Picture, a two-act play based on James Reaney’s 1986 children’s novel. Director Adam Corrigan Holowitz describes his adaptation as a story about a family in conflict with the modern world: The story:The Delahay family is more than a little off balance and seventeen-year-old…

  • James Reaney’s home in London now a Forest City Fact

    In celebration of London’s bicentennial, the City of London launched the first Forest City Facts earlier this week at Gibbons Park on the Thames River. Each lawn sign displays a short historical fact about London people, places, and events. In partnership with the London and Middlesex Historical Society and other local history groups, Forest City…

  • James Reaney’s A Suit of Nettles: April

    To celebrate National Poetry Month, here is the “April” eclogue from James Reaney’s long poem A Suit of Nettles. April ARGUMENT: With Duncan as judge the geese hold a bardic contest in honour of Spring. [DUNCAN  RAYMOND  VALANCY] Here is a kernel of the hardest winter wheat Found in the yard delicious for to eat.…

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