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James Reaney

  • Elizabeth Reaney visits the James Reaney Canadian Centre at Gujarat University

    April 15th, 2010

    On April 6-7, Elizabeth Reaney, James Reaney’s granddaughter, visited the James Reaney Canadian Centre at Gujarat University in Ahmedabad, India. Elizabeth was able to see the Centre’s collection of Canadian literature donated by James Reaney in 1992, and meet some of the students who are using it in their studies.

     

    Dr. Ranjana Harish, Director of the Centre, welcomed Elizabeth and assured her that the collection is  well maintained and a valuable resource for scholars and students studying Canadian literature. Elizabeth was pleased to see that the some of the books include her grandfather’s wry marginal comments.

    James Reaney visited India in January 1996 and spoke at the Canadian Studies Conference at Kerala University in Trivandrum. He enjoyed a performance of his play, Wacousta, put on by students, and he also painted this watercolour of his visit to the beach near Trivandrum on the Indian Ocean.

    Watercolour sketch by James Reaney, January 1996 in Trivandrum

     

  • A Flower Is A Star: photo by Marilyn Cornwell

    February 1st, 2010

    Photographer Marilyn Cornwell remembers being in a production of James Reaney‘s play Colours in the Dark and being inspired by the line “A flower is a star”:

    I was a student at Brock University from 1969-73 in the English Department with a Theatre Major in the Drama Division. I became familiar with James Reaney’s work at Brock, as the Drama Division was very committed to Canadian playwrights. In 1970, I was in a production of Colours in the Dark mounted by the Drama Division.

    When I photographed this clematis, I immediately thought of that simple but powerful line in Colours in the Dark – A flower is a star.  This image is my  visual version of his metaphor.  I named it as a tribute to him and his work.

    Thank you, Marilyn, for sharing your memory of the play and your beautiful photo.

    A Flower Is A Star by Marilyn Cornwell
  • Poetry Reading in Halifax on February 10

    January 28th, 2010

    February 10, Saint Mary’s University Art Gallery, 7 pm

    Book Launch for The Essential James Reaney

    Brian Bartlett gathered various Halifax poets and readers of poetry together to read and celebrate James Reaney’s poems, and to launch the newest book in The Porcupine’s Quill‘s “Essential” series – an entertaining choice of Reaney’s poetry written from the early 1940s to the 21st century. Zachariah Wells has posted an audio recording of the reading.

    The Essential James Reaney
  • Antichrist as a Child

    January 22nd, 2010

    James Reaney’s poem “Antichrist as a Child” is the poem of the day on Poetry Daily, an online anthology of contemporary poetry. “Antichrist as a Child” can also be found in The Essential James Reaney, published by The Porcupine’s Quill.

    Antichrist as a Child

    When Antichrist was a child
    He caught himself tracing
    The capital letter A
    On a window sill
    And wondered why
    Because his name contained no A.
    And as he crookedly stood
    In his mother’s flower-garden
    He wondered why she looked so sadly
    Out of an upstairs window at him.
    He wondered why his father stared so
    Whenever he saw his little son
    Walking in his soot-coloured suit.
    He wondered why the flowers
    And even the ugliest weeds
    Avoided his fingers and his touch.
    And when his shoes began to hurt
    Because his feet were becoming hooves
    He did not let on to anyone
    For fear they would shoot him for a monster.
    He wondered why he more and more
    Dreamed of eclipses of the sun,
    Of sunsets, ruined towns and zeppelins,
    And especially inverted, upside down churches.

    James Reaney, 1949

  • Winter’s Tales by James Reaney, 1949

    January 11th, 2010
    Front entrance to James Reaney’s birthplace and childhood home near Stratford, Ontario, February 1954. Photo by Elizabeth Cooke (née Crerar)

    Winter’s Tales

    As planets love an ancient star
    And move in far dances round its fire
    So the farmer and his children sit
    About their stove whose flamey wit
    Giggles in red and yellow laughter
    Like a small sun caught in iron armour.
    When outside the winter winds are loud
    Close by their summery stove they crowd.

    Through the windows they may see
    The cold wind herd a river of snow
    Beneath the moon, across the land
    All locked in Winter’s frog-cold hand.
    And sometimes the wind does shove
    Between the window sill and window
    Beneath the door and across the floor
    White whisks and brooms of snow.
    Through every little crack
    At the front door and the back
    Came the soft white hands of snow
    That, with its heat, the stove does smash
    Into a harmless flat thin splash.
    Then down the chimney the wind came
    Till the fire seemed somewhat lame
    Until someone poked at it
    Or put on another stick
    And it blazed up again.
    The wind, the cold snow and the rain
    Could not put that stove out
    But in a furious dance
    They kept a safe distance
    Always beyond the window pane
    So that the farmer and his children
    By the stove sitting tight
    Only heard the wind and never felt
    Its sharp cold bite.
    Then the farmer told them stories
    That his father had told him
    Of the massacre at Lucan
    Where the neighbours killed all of the McKilligans dead
    Except one little boy who crawled under a bed;
    Of the little boy carried off by a bear
    And, “a ball of fire leaped out of the earth
    At him and vanished into thin air.
    Your grandmother saw
    Tecumseh’s head on a pole;
    Had also dined with him once
    And when she looked into her soup
    At the bottom of the bowl
    She saw a groundhog’s paw.
    And Indian Sal who picked flax
    And drank vinegar and had attacks
    And Granny Crack
    Who wandered the countryside
    With seven petticoats to her back.
    And Towser Smith who
    When it rained for five days in a row
    Went out and shook his fist at the sky,
    His fist at God in the sky.
    And how when I was a child
    You stood at the table
    And ate off a pie-tin
    Not sit on chairs and eat off a plate
    As you do now.
    And how bricks and mortar
    Couldn’t keep her from marrying him.”

    Then the farmer and his children grow drowsy
    With the heat of the fire so blowsy
    And the stories their father tells them
    Of the good and bad old days
    Grow shorter and shorter
    Till the fire alone seems to talk.
    Its ripening red now seeming
    A massive convulsive giant’s heart
    A Robin’s red breast.
    A sunset in summer,
    The rising and large Harvest Moon
    When she walks out of the east, –
    All these things seems the fire
    Which, with their father’s stories
    Will long be remembered
    And protect them from growing old.
    Winter’s tales that like gold
    In the purses of their hearts
    Will ring and shine forever
    Warming them in the long winter’s cold.

    James Reaney, 1949

    This poem first appeared in Contemporary Verse, 30, Winter 1949.

  • Merry Christmas!

    December 22nd, 2009

    Snowflake woodcut by James Reaney, 1970

    All the best for the holidays and for 2010.

  • Welcome to our new website

    November 28th, 2009

     

    James Reaney at home in London, Ontario, October 2005 (Photo by Jeff Culbert)

    Welcome to our new website celebrating the life and work of James Reaney.  We look forward to sharing news and resources about James Reaney with you.

  • Jean McKay on “The Art of James Reaney” at the Landon Library, June 2006

    November 10th, 2009

    From London’s Artscape magazine (Issue 5, June 2006), here is Jean McKay’s article on James Reaney’s visual art.

    “The Art of James Reaney” was held at the London Public Library, Landon Branch, June 9-23, 2006.
  • Jeff Culbert on Chris Doty’s play The Donnelly Trial

    November 8th, 2009

    From London’s Artscape magazine (Issue 5, June 2006), here is Jeff Culbert’s article on Chris Doty’s play The Donnelly Trial.

  • The Porcupine’s Quill is reissuing A Suit of Nettles

    November 7th, 2009

    The Porcupine’s Quill is reissuing A Suit of Nettles, winner of the 1958 Governor General’s Award for Poetry. Details of the launch to follow in April 2010.

    A Suit of Nettles (3rd ed. 2010)

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  • James Reaney’s poem “I know an experience”

    James Reaney’s “I know an experience” is the 24th brush stroke fromthe multi-part poem “Brush Stokes Decorating a Fan.” (x)I know an experienceThat brings my 2 butterfly wingsTight togetherThen openNow shutDull blurSudden bright.Over the years our selvesHave been blendedBy all this together,Pleated & unpleating,Opening & closing,Tight together,Loose apart—Two sides of a breath James Reaney (2005)…

  • Take the Big Picture returns on June 27

    AlvegoRoot Theatre’s adaptation of James Reaney’s Take the Big Picture returns for an encore performance on Saturday June 27th at 2:00 pm at the Manor Park Memorial Hall in London. Director Adam Corrigan Holowitz says “If you missed the play, now is your chance to see this off-the-wall comedy that left audiences buzzing. If you saw…

  • June 10-14: AlvegoRoot presents James Reaney’s Take the Big Picture

    June 10-14 at Fanshawe Pioneer Village, Alvegoroot Theatre presents Take the Big Picture, a two-act play based on James Reaney’s 1986 children’s novel. Director Adam Corrigan Holowitz describes his adaptation as a story about a family in conflict with the modern world: The story:The Delahay family is more than a little off balance and seventeen-year-old…

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