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James Reaney

  • James Reaney’s A Suit of Nettles: April

    April 5th, 2026

    To celebrate National Poetry Month, here is the “April” eclogue from James Reaney’s long poem A Suit of Nettles.

    April

    ARGUMENT: With Duncan as judge the geese hold a bardic contest in honour of Spring.

    [DUNCAN  RAYMOND  VALANCY]

    Here is a kernel of the hardest winter wheat
    Found in the yard delicious for to eat.
    It I will give to that most poetic gander
    Who this season sings as well as swam Leander.
    The white geese with their orange feet on the green
    Grass that grew around the pond’s glassy sheen
    Chose then Valancy and Raymond to sing
    And to hear them gathered about in a ring.

    RAYMOND

    I speak I speak of the arable earth,
    Black sow goddess huge with birth;
    Cry cry killdeers in her fields.

    Black ogress ate her glacier lover
    When the sun killed him for her;
    The white owl to the dark crow yields.

    Caw caw whir whir bark bark
    We’re fresh out of Noah’s Ark;
    Wild geese come in arrowheads

    Shot from birds dead long ago
    Buried in your negro snow;
    Long water down the river sleds.

    Black begum of a thousand dugs,
    A nation at each fountain tugs;
    The forests plug their gaps with leaves.

    Whet whet scrape and sharpen
    Hoes and rakes and plows of iron;
    The farmer sows his sheaves.

    Mr Sword or Mr Plow
    Can settle in your haymow,
    All is the same to Mother Ground.

    Great goddess I from you have come,
    Killdeer crow geese ditch leaf plowman
    From you have come, to you return
    In endless laughing weeping round.

    VALANCY

    Your limbs are the rivers of Eden.
    From the dead we see you return and arise,
    Fair girl; lost daughter:
    The swallows stream through the skies,
    Down dipping water,
    Skimming ground, and from chimney’s foul dusk
    Their cousins the swifts tumble up as the tusk
    Of roar day
    In bright May
    Scatters them gliding from darkness to sun-cusp.

    Your face unlocks the bear from his den.
    The world has come in to the arms of the sun.
    What now sulky earth?
    All winter you lay with your face like a nun,
    But now bring forth
    From river up boxdrain underground
    Fish crawling up that dark street without sound
    To spawn
    In our pond
    Young suckers and sunfish within its deep round.

    Your body is a bethlehem.
    Come near the sun that ripened you from earth
    Pushing south winds
    Through lands without belief till its pretty birth
    The faithful finds:
    Fanatic doves, believing wrens and orioles
    Devoted redwinged blackbirds with their calls,
    Archilochus alexandri,
    Melospiza georgiana,
    All surround you with arched cries of Love’s triumphals.

    Your mind is a nest of all young things, all children
    Come to this meadow forest edge;
    Put her together
    From this squirrel corn dogtooth young sedge
    And all this weather
    Of the white bloodroots to be her skin
    The wake robin to be her shin
    Her thighs pockets
    Of white violets
    Her breasts the gleaming soft pearly everlasting.

    For her limbs are the rivers of Eden;
    Her face unlocks
    The brown merry bear from his den,
    From his box
    The butterfly and her body is a bethlehem
    Humming
    With cherubim
    And her mind is a cloud of all young things, all children.

    The prize to this one goes cried eagerly some
    And others cried that to Raymond it must come,
    So that Duncan Goose turned to the plantain leaf
    And chopped the prize in half with beak-thrust brief.

    James Reaney, 1958

    The third edition of A Suit of Nettles features charming illustrations by engraver Jim Westergard, available from The Porcupine’s Quill.

    A Suit of Nettles (3rd ed. 2010)

    For more about A Suit of Nettles, see Germaine Warkentin‘s essay “Out of Spenser and the Common Tongue”: James Reaney’s A Suit of Nettles, and Richard Stingle‘s lecture “A learned poet writes A Suit of Nettles”.

    “Geese” Photo by Elizabeth Cooke (James Reaney’s mother), 1950 near Stratford, Ontario.

    Butterfly decoration by James Reaney, September 1947 (ink on yellow paper)



  • James Reaney’s emblem poem “The Farm”

    March 9th, 2026
    James Reaney at the farm near Stratford, Ontario in 1971 (TVO.org)

    The Farm

    James Reaney’s emblem poem “The Farm” (1969)

    ( ( ( 0 ) ) ) For more about James Reaney’s poems and a look back at the family farm where James Reaney grew up, see the 1971 TVOntario documentary “James Reaney” in the Canadian Writers series.

    The Farm

    There was a farm divided in two
    1/2 of it surly brick maker owned
    swale & slough clay & stiff
    Into this from the western half
    Jutted an orchard of 50 young trees
    Captain Grape Arbour & Major Mulberry
    Angel greening trees in whitewashed trunks
    Roods & perches fought clayhole & swamp
    & the lawns won, the gravel pit’s gone
    Now the farm’s one.

    James Reaney, 1969

    (Note: “Roods & perches” are land survey measurements.)

    For a closer look at “The Farm” and other emblem poems, see The Emblems of James Reaney by Thomas Gerry, available from The Porcupine’s Quill.

    The Emblems of James Reaney by Thomas Gerry, 2013
  • AlvegoRoot Theatre presents two Reaney plays in 2026

    February 10th, 2026

    2026 — James Reaney’s centenary year — is off to a good start with two plays based on his work from London’s AlvegoRoot Theatre.

    On February 20-21, AlvegoRoot presents two encore performances of Sleigh Without Bells: A Donnellys Story —  a short story by James Reaney from The Box Social and Other Stories (1996). Adam Corrigan Holowitz reprises his solo performance as Ephraim, a young traveller lost in a blizzard who strays into Donnelly country. Directed by Kydra Ryan.

    AlvegoRoot Theatre reprises James Reaney’s Sleigh Without Bells
    on February 20-21 in London, Ontario.

    Where: The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario
    When: February 20 at 7:30 pm and February 21 at 2 pm.

    Tickets: $30 at the door or call 519-615-2210 or order online from OnStageDirect.

    AlvegoRoot’s second Reaney production this year is an adaptation of Take the Big Picture, James Reaney’s 1986 children’s novel. Take the Big Picture will be presented at Fanshawe Pioneer Village from June 10 to June 14.

    Cast announcements are expected soon for Take the Big Picture — an epic tale of six children, their parents, their grandmother, and a host of others. It appears that a sasquatch has followed the Delahay family all the way back to Antler River, Ontario after their year away in British Columbia – but quién sabe?

    James Reaney’s children’s novel Take the Big Picture from 1986.

    Take the Big Picture by James Reaney is available from The Porcupine’s Quill.

  • James Reaney’s Entire Horse

    February 1st, 2026

    Entire Horse

    Poems Written About The Donnellys To Assist
    The Renewal of The Town Hall at Exeter, Highway #4 *

    I
    Around Borrisokane, in Eire, the roads twist
    After cowherds with willow gads, after wise woman’s spells,
    After chariots and the widest go-around found in a mare’s skin.
    But in Biddulph, Canada, in Mount Carmel’s brooder stove, St Peter’s fields,
    The roads cross at right angles, a careful Euclidean net, roods, rods
    Spun by surveyors out of Spider stars – Mirzak, Spicula, Thuban, Antares.
    Like serpents, twitchgrass roots, dragons – the Irish roads twist,
    The old crooked roads twist in the cage of the straight new.

    II
    We were horsemen, dressed well and from my brother’s entire horse,
    From his entire horse came the colt fast fleet hoofhand with which
    We seized and held onto the path through Exeter down to London.
    We lifted the hills, creeks, rivers, slaughterhouses, taverns,
    We lifted their travellers and those who were asleep when we passed
    And those who saw us rattle by as they plowed mud or whittled.
    We lifted them like a graveldust pennant, we swung them up and out
    Till they yelled about wheels falling off, unfair competition, yah!
    And we lie here now – headless, still, dead, waggonless, horseless,
    Sleighless, hitched, stalled.

    III
    As the dressmaker hems my muslin handkerchiefs,
    The night the Vigilantes burnt down one of their own barns,
    As I sit waiting for a cake to bake and my gentle niece with me
    I realize I am not doing what you want me to do.
    You – bored with your Calvinist shoes chewed to pieces
    By streets of insurance, streets of cakemix, packages, soap, sermonettes.
    You want me to – you project a more exciting me on me.
    She should be burning! Clip! Ax! Giantess! Coarse, I should curse!
    Why should I accept these handcuffs from you?

     James Reaney, 2005

    * Respectively, the three speakers of these poems are William Porte, the Lucan postmaster, Tom Donnelly and Mrs. Donnelly.

    “Entire Horse” is from Souwesto Home, a collection of James Reaney’s poems from 2005 available from Brick Books.

    ( ( 0 ) ) Listen to Jeff Culbert read “Entire Horse” and other poems from Souwesto Home here.

    All three plays from James Reaney’s The Donnelly Trilogy — Sticks and Stones, The St. Nicholas Hotel, and Handcuffs — were performed at the Blyth Festival in 2023 at Blyth’s Outdoor Harvest Stage.

    “Are there any more ladies and gentlemen for Calamity Corners
    as ’tis sometimes called, 
    St. John’s, Birr — my old friend Ned here calls it Bobtown,
    the more elegant name is Birr. 
    Elginfield known to some as Ryan’s Corners, Lucan that classic spot if it’s not all burnt down, Clandeboye, Mooretown, Exeter and Crediton. 
    If Ned here hasn’t sawn it to pieces, 
    the coach is waiting for you at the front door 
    and it pleases you.”

    (Opening lines from James Reaney’s The St. Nicholas Hotel)

    Summer 2023 — On the way to the Outdoor Harvest Stage 
    on the old Blyth Fairgrounds. Photo courtesy The Blyth Festival.

  • New second edition of Colleen Thibaudeau’s Lozenges originally published by James Reaney’s Alphabet Press

    January 6th, 2026
    James Reaney printing at the Alphabet Press print shop at 430 Talbot Street in London, Ontario (mid-1960s). Credit: London Free Press/Sun Media Corporation.

    In late summer 1965, James Reaney’s Alphabet Press printed the first edition of Colleen Thibaudeau’s Lozenges: Poems in the Shapes of Things in London, Ontario. Thibaudeau’s husband James Reaney typeset the poems and also designed the cover.

    In fall 2024, Hilary Neary, historian and former Alphabet Magazine designer, proposed a facsimile second edition of the original Lozenges for Colleening 2025, a celebration of the centenary of Colleen Thibaudeau (1925-2012).

    Printers Hilary Neary, Stephen Sword, and Mike Baker at The Forge and Anvil Museum in Sparta, Ontario.
    (Photo by James Stewart Reaney)

    On August 27, 2025, after many months coordinating and resourcing this venture, printers and compositors Hilary Neary, Stephen Sword, and Mike Baker (pictured above) gathered at The Forge and Anvil Museum in Sparta, Ontario to print the new second edition. The photo shows a proof from the new 2025 edition’s cover design in the foreground, and Mike Baker holding the original 1965 classic by Colleen Thibaudeau.

    Copies of the new Lozenges: Poems in the Shape of Things were given out at Colleening 2025 events in London and St. Thomas.

    ( ( ( 0 ) ) )  Listen to Hilary Neary and Mike Baker read poems from Lozenges.

    Colleen Thibaudeau’s poem “The Train” from Lozenges (1965)
    Colleen Thibaudeau’s poem “The Hockey Stick” from Lozenges (1965)



    Alphabet Issue 10 from July 1965 shows an announcement for Lozenges by Colleen Thibaudeau and
    one of her poems “The Hockey Stick” on the inside front cover.

    For more about Alphabet Press and Alphabet Magazine, see Douglas I. Brown’s 1973 thesis A History and Index of Alphabet Magazine; a revised and updated excerpt from Brown’s thesis appears in Devil’s Artisan, A Journal of the Printing Arts, No. 71, Fall/Winter 2012.

    See also Margaret Atwood’s 1971 article “Chronicle: Eleven Years of Alphabet” in the journal Canadian Literature, and earlier posts Happy 50th Alphabet from 2010 and Devil’s Artisan 72: A new home for Alphabet’s Nolan proof press from 2013.

    James Reaney typesetting at the Alphabet Press in the 1960s in London, Ontario. Photo courtesy Twayne World Author Series (1968).
  • Peggy Roffey presents Colleen Thibaudeau’s Big Sea Vision

    December 8th, 2025
    Peggy Roffey presents “Colleen Thibaudeau’s ‘Big Sea’ Vision” at the James Reaney Memorial Lecture on November 29, 2025 in London, Ontario. London poets Patricia Black and Ola Nowosad (seated) read many of Colleen Thibaudeau’s poems.

    Thank you for coming to the 16th annual James Reaney Memorial Lecture celebrating poet Colleen Thibaudeau’s ‘Big Sea’ Vision this past Saturday November 29th. This year’s lecture is part of Colleening 2025, a year-long celebration of Colleen Thibaudeau’s centenary.

    Thank you, Peggy Roffey, for leading us through a thoughtful exploration of Thibaudeau’s poetry. After getting us to reflect on someone dear to us and on what we associated with that person, Peggy said that we “… had all done a bit of Colleening. You’ve used memory and imagination to reach beyond time and space. You found an association, made a connection and had that associated detail there. You’ve also connected to somebody else in the room.”

    “You’ve touched on the way Colleen wrote her poems; they are peopled, very peopled. Full of significant objects, places, experiences, but all attached to people. I actually counted the number of people that she named by name or role: five hundred. Five hundred people in just over two hundred poems….”

    We would also like to thank London poets Patricia Black and Ola Nowosad who read Colleen Thibaudeau’s poems so beautifully. A video of Peggy Roffey’s lecture is available on the Words Festival YouTube channel.

    Thanks also to Alannah Vanderburgh-Oakley and Dan Hamilton of the London Public Library for their coordination and assistance, and to Josh Lambier of Words Festival for his technical expertise.

    Colleen Thibaudeau in 1977 in London, Ontario.

    Earlier Wordsfest lectures on James Reaney:

    2016: John Beckwith on James Reaney and Music 
    2017: Tom Smart on James Reaney: The Iconography of His Imagination 
    2018: James Stewart Reaney on James Reaney’s Plays for Children
    2019: Stan Dragland on James Reaney on the grid
    2020: Stephen Holowitz and Oliver Whitehead on James Reaney Words and Music
    2021: Kydra Ryan and Adam Corrigan-Holowitz on Tales for a Reaney Day: Two Great Writers, Three Short Stories
    2022: Terry Griggs for Stan Dragland: James Reaney Off the Grid
    2023: Katy Clark on The Beckwith Connection: An Afternoon of Big Hits from the Reaney and Beckwith Songbook
    2024: Jeff Culbert in Conversation with Josh Lambier: Snapshots of Jamie

    This year’s James Reaney Memorial Lecture celebrates the legacy of poet Colleen Thibaudeau (1925-2012), the late wife of poet and playwright James Crerar (Jamie) Reaney (1926-2008). Our grateful thanks to the London Public Library and Wordsfest for giving the lecture a new home and partnership.

    James Reaney and Colleen Thibaudeau near Stratford, Ontario in 1982.
    (Photo by Marty Gervais)

  • The 2025 James Reaney Memorial Lecture on November 29

    November 11th, 2025
    Colleen Thibaudeau in London, Ontario in1977

    This year, in the spirit of metaphor, the 2025 James Reaney Memorial Lecture steps to the side and shows the “she” beside the “he”: James Reaney’s wife, poet Colleen Thibaudeau (1925-2012).

    Join us on Saturday November 29th at the London Public Library Central Branch for poet Peggy Roffey’s presentation “Colleen Thibaudeau’s Big Sea Vision”.

    In a combination of photo images, presentation, and readings, Peggy Roffey and readers from London’s poetry community will explore Colleen Thibaudeau’s unique voice, sensibility, and metaphor-making artistry.

    Thibaudeau’s ‘Big Sea Vision’ helps us enter the very nature of metaphor, illuminating the connectedness of things, people, times and places, showing the as-yet unseen inside something else. Her big sea vision is all over her poems like fingerprints, a vision worth holding in a fragmenting world.

    It was Colleen Thibaudeau who delivered the first Reaney Memorial Lecture in 2010 at a grassroots event in Stratford. Since the Lecture was welcomed to London under the Words Festival banner and with support from the London Public Library in 2016, performances of her poems and short stories have inspired several of its iterations. 

    The 2025 Lecture is the first one devoted to her words and life. It marks another peak for Colleening 2025, a year-long celebration of her centenary. The last scheduled event is Antler River Poetry’s evening of Colleen Thibaudeau poems, December 3, 7 pm, at the Landon Branch Library.

    About the presenter: Peggy Roffey is a Londoner who did her Master’s Thesis at UWO on Colleen’s poetry to 1975 and was a frequent reader alongside Colleen. Peggy has also had an interesting career in organizational culture and leadership development at St. Joseph’s Health Care London and at UWO (Western). She taught English Renaissance Literature and Canadian Literature at Western for the last 15 years of her career.

    Where: London Public Library, Central Library Lawson Room, 251 Dundas Street, London, Ontario
    When: Saturday November 29, 1 pm — 3 pm.
    Admission is free. Please register to attend the lecture — the EventBrite registration works for both the onsite event at the London Public Library and online via Zoom Webinar: https://www.eventbrite.ca/e/peggy-roffey-colleen-thibaudeaus-big-sea-vision-tickets-1802841450309?aff=oddtdtcreator


    For more about Colleen Thibaudeau and her poetry, see the biography on her website.

    This year’s James Reaney Memorial Lecture celebrates the legacy of poet Colleen Thibaudeau (1925-2012), the late wife of poet and playwright James Crerar (Jamie) Reaney (1926-2008). Our grateful thanks to the London Public Library and Words Festival for giving the lecture a new home and partnership.

    Colleen Thibaudeau and James Reaney near Stratford, Ontario, 1982.
    (Photo by Marty Gervais)
  • AlevgoRoot Theatre presents James Reaney’s Sleigh Without Bells

    October 6th, 2025
    AlvegoRoot Theatre presents Sleigh Without Bells: A Donnellys Story, October 22-26

    On October 22-26, AlvegoRoot Theatre presents Sleigh Without Bells: A Donnellys Story — a short story by James Reaney from The Box Social and Other Stories (1996).

    In 2021, AlvegoRoot performed “The Bully” and “The Box Social,” two other stories by James Reaney. Adam Corrigan Holowitz, AlvegoRoot’s Artistic Director, was sure that “Sleigh Without Bells,” a tale of a young traveller’s winter journey into Donnelly country, felt right to perform as a solo piece:

    “The story strikes me as an interesting coda to the Donnelly Trilogy, and a few people I have talked to say they thought that it feels a bit like a portrait of the artist diving into the Donnelly story, falling in love with the people/characters and then having to leave them behind in the land of the dead/purgatory.”

    Where: The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario
    When: October 22, 23, and 24 at 7:30 pm and matinees at 2 pm on Saturday October 25 and Sunday October 26.

    Tickets: $30 at the door or online from OnStageDirect.

    For more about James Reaney’s short stories, see
    Tales for a Reaney Day from 2021.

    Winter sleigh scene circa 1880
    James Reaney’s The Box Social and Other Stories (1996)
  • Colleening 2025 events this fall

    September 10th, 2025

    Colleen Thibaudeau (1925-2012) in 1977 in London, Ontario.
    Colleening 2025 is a year-long celebration of Colleen Thibaudeau’s poetry.

    Colleening 2025 in St. Thomas, Ontario

    September 2025 — On September 18, celebrate Colleen Thibaudeau’s centenary with a feast of her St. Thomas poems read by local fans including Joe Preston, John Allen, Julie Berry, Barb Hoskins, Mike Baker & more! 

    Where: The Elgin County Railway Museum, 225 Wellington Street, St. Thomas
    When: Thursday, September 18, 2025, 7-9 pm
    Cash Bar — Admission is free.

    Colleening 2025 in London, Ontario

    November 2025 – On November 7-9, AlvegoRoot Theatre presents a brand new concert version of Colleening: The Letters and Poetry of Colleen Thibaudeau, which premiered in 2013.

    Compiled by Adam Corrigan Holowitz with music by Stephen Holowitz and Oliver Whitehead,  Colleen’s letters and poems take us on a journey through childhood memories, home life, and Canadian culture.
    The performers are Katy Clark, Paul Grambo, and Kydra Ryan.

    Where: The Manor Park Memorial Hall, 11 Briscoe Street W, London, Ontario
    When: Friday November 7 at 7:30 pm and matinees at 2 pm on Saturday November 8 and Sunday November 9.

    Tickets: $30 available at OnStageDirect.

    Colleening: The Life & Letters of Colleen Thibaudeau, November 7-9

    On Saturday November 29, poet Peggy Roffey presents “Colleen Thibaudeau’s Big Sea Vision” at the 2025 James Reaney Memorial Lecture. This year the annual lecture, in the spirit of metaphor, steps to the side and shows the “she” beside the “he”: James Reaney’s wife, poet Colleen Thibaudeau (1925-2012). Presented by London Public Library and Words Festival.

    Where: London Public Library, Central Library Lawson Room, 251 Dundas Street, London, Ontario
    When: Saturday November 29, 1 pm. Admission is free.

    On Wednesday December 3, Antler River Poetry presents Celebrating Colleen Thibaudeau: An Evening of Poetry and Memories. A lineup of well-known local poets and readers will share their favourite work by Canadian literary legend Colleen Thibaudeau.
    Where: The London Public Library, Landon Branch, 167 Wortley Road, London, Ontario
    When: Wednesday December 3, 7 pm. Admission is free.

    For more about Colleen Thibaudeau and her poetry, see the biography on her website.

  • “Going for the Mail” by James Reaney

    September 1st, 2025

    From the suite of poems The Young Traveller (1964)

     i)  Going for the Mail

    After four, when home from school.
    A boy down the farm walks,
    To get the mail the mailman’s left
    In the backroad mailbox.

    Oh things to watch and things to think
    As I walk down the lane
    Between the elmtree and the fence
    Things that are not plain.

    For instance is the elmtree there
    Still there when I am past it?
    I jump about and there it is
    Certain to all my wit.

    But could it still not be
    That when my back is turned
    It disappears and nothing is?
    Why not, I’ve still not learned.

    There’s sedge in the marsh to look at
    And dark brown curled dock.
    Why do I love the weeds so
    And examine every stalk?

    Back at the house they tell him
       That although he was at the mailbox
    He forgot to get the mail out
       So back again he walks.

    The fields are dark, the sky dark gray
    The farmhouse lights come on
    And dimmer lights in barns,
    One reflected in the pond.

    This time there’s less to think upon
    Since all the detail’s gone
    But what news and what mail I get
    To reflect upon —

    The world in huge butterflies of paper —
    (And here’s the comfort)
    Will still not be as interesting
    As walking twice for it.

     James Reaney, 1964

    From Poems by James Reaney, New Press, 1972.

    James Reaney (age 9) at the farm near Stratford, Ontario, Spring 1937.
    Elm trees along the east fence, 1937
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  • James Reaney’s A Suit of Nettles: April

    To celebrate National Poetry Month, here is the “April” eclogue from James Reaney’s long poem A Suit of Nettles. April ARGUMENT: With Duncan as judge the geese hold a bardic contest in honour of Spring. [DUNCAN  RAYMOND  VALANCY] Here is a kernel of the hardest winter wheat Found in the yard delicious for to eat.…

  • James Reaney’s emblem poem “The Farm”

    The Farm ( ( ( 0 ) ) ) For more about James Reaney’s poems and a look back at the family farm where James Reaney grew up, see the 1971 TVOntario documentary “James Reaney” in the Canadian Writers series. The Farm There was a farm divided in two1/2 of it surly brick maker ownedswale…

  • AlvegoRoot Theatre presents two Reaney plays in 2026

    2026 — James Reaney’s centenary year — is off to a good start with two plays based on his work from London’s AlvegoRoot Theatre. On February 20-21, AlvegoRoot presents two encore performances of Sleigh Without Bells: A Donnellys Story —  a short story by James Reaney from The Box Social and Other Stories (1996). Adam Corrigan Holowitz reprises his solo…

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