In the Summer 2019 issue of Queen’s Quarterly, Thomas Gerry’s article “Marvellous Playhouses” celebrates James Reaney’s emblem poems. For Gerry, the poems “put into play” Reaney’s artistic process, a “magnetic method” he developed for generating meaning through the use of wit.
The emblem poems are theatre-like devices that draw readers into the activity of making meaning. As with audiences for dramatic performances, emblem-readers’ participation is vital. [Queen’s Quarterly, Summer 2019, page 196]
For a full discussion of all ten emblem poems and James Reaney’s artistic process, see The Emblems of James Reaney, available from The Porcupine’s Quill.