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James Reaney

  • James Reaney’s A Suit of Nettles: April

    April 5th, 2016

    To celebrate National Poetry Month, here is the “April” eclogue from James Reaney’s long poem A Suit of Nettles.

    April

    ARGUMENT: With Duncan as judge the geese hold a bardic contest in honour of Spring.

    [DUNCAN  RAYMOND  VALANCY]

    Here is a kernel of the hardest winter wheat
    Found in the yard delicious for to eat.
    It I will give to that most poetic gander
    Who this season sings as well as swam Leander.
    The white geese with their orange feet on the green
    Grass that grew around the pond’s glassy sheen
    Chose then Valancy and Raymond to sing
    And to hear them gathered about in a ring.

    RAYMOND

    I speak I speak of the arable earth,
    Black sow goddess huge with birth;
    Cry cry killdeers in her fields.

    Black ogress ate her glacier lover
    When the sun killed him for her;
    The white owl to the dark crow yields.

    Caw caw whir whir bark bark
    We’re fresh out of Noah’s Ark;
    Wild geese come in arrowheads

    Shot from birds dead long ago
    Buried in your negro snow;
    Long water down the river sleds.

    Black begum of a thousand dugs,
    A nation at each fountain tugs;
    The forests plug their gaps with leaves.

    Whet whet scrape and sharpen
    Hoes and rakes and plows of iron;
    The farmer sows his sheaves.

    Mr Sword or Mr Plow
    Can settle in your haymow,
    All is the same to Mother Ground.

    Great goddess I from you have come,
    Killdeer crow geese ditch leaf plowman
    From you have come, to you return
    In endless laughing weeping round.

    VALANCY

    Your limbs are the rivers of Eden.
    From the dead we see you return and arise,
    Fair girl; lost daughter:
    The swallows stream through the skies,
    Down dipping water,
    Skimming ground, and from chimney’s foul dusk
    Their cousins the swifts tumble up as the tusk
    Of roar day
    In bright May
    Scatters them gliding from darkness to sun-cusp.

    Your face unlocks the bear from his den.
    The world has come in to the arms of the sun.
    What now sulky earth?
    All winter you lay with your face like a nun,
    But now bring forth
    From river up boxdrain underground
    Fish crawling up that dark street without sound
    To spawn
    In our pond
    Young suckers and sunfish within its deep round.

    Your body is a bethlehem.
    Come near the sun that ripened you from earth
    Pushing south winds
    Through lands without belief till its pretty birth
    The faithful finds:
    Fanatic doves, believing wrens and orioles
    Devoted redwinged blackbirds with their calls,
    Archilochus alexandri,
    Melospiza georgiana,
    All surround you with arched cries of Love’s triumphals.

    Your mind is a nest of all young things, all children
    Come to this meadow forest edge;
    Put her together
    From this squirrel corn dogtooth young sedge
    And all this weather
    Of the white bloodroots to be her skin
    The wake robin to be her shin
    Her thighs pockets
    Of white violets
    Her breasts the gleaming soft pearly everlasting.

    For her limbs are the rivers of Eden;
    Her face unlocks
    The brown merry bear from his den,
    From his box
    The butterfly and her body is a bethlehem
    Humming
    With cherubim
    And her mind is a cloud of all young things, all children.

    The prize to this one goes cried eagerly some
    And others cried that to Raymond it must come,
    So that Duncan Goose turned to the plantain leaf
    And chopped the prize in half with beak-thrust brief.

    James Reaney, 1958

    The third edition of A Suit of Nettles features charming illustrations by engraver Jim Westergard, available from The Porcupine’s Quill.

    A Suit of Nettles (3rd ed. 2010)

    For more about A Suit of Nettles, see Germaine Warkentin‘s essay “Out of Spenser and the Common Tongue”: James Reaney’s A Suit of Nettles, and Richard Stingle‘s lecture “A learned poet writes A Suit of Nettles”.

    “Geese” Photo by Elizabeth Cooke (James Reaney’s mother), 1950 near Stratford, Ontario.

    Butterfly decoration by James Reaney, September 1947 (ink on yellow paper)



  • Alice Through the Looking-Glass in Edmonton February 27 to March 20

    February 10th, 2016

    This month, Alice resumes her journey across Canada as James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass opens at the Edmonton Citadel’s Shoctor Theatre on February 27 to March 20.

    Christine Brubaker continues as the director of this Alice revival, and Ellie Heath plays Alice. The show was a hit at the 2014 Stratford Festival and has now toured across Canada in Ottawa, Charlottetown, and Winnipeg.

    To purchase tickets, call 1-888-425-1820 (780-425-1820) or order online here.

    ♥ What reviewers are saying: “Adults will love it. The eight-year-old sitting beside me was mesmerized by the whole experience.” — Colin Maclean in Gigcity.ca

    ♥ “An hilarious, over-the-top romp!” — John Richardson in Behind the Hedge

    ♥ “An all-star team of your favourite actors, Edmonton’s funniest.” — Liz Nicholls in The Edmonton Journal

    Alice Through the Looking-Glass director Jillian Keiley with actors playing Alice across Canada: Gwendolyn Collins (Winnipeg), Ellie Heath (Edmonton), Trish Lindström (Stratford Festival) and, seated, Natasha Greenblatt (Ottawa and Charlottetown). Photographed in the Palm Room of Spadina House, Toronto, June 2015.

    Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney is available from the Porcupine’s Quill.

  • “The Windyard” by James Reaney

    January 5th, 2016
    Front entrance to James Reaney’s birthplace and childhood home near Stratford, Ontario, February 1954. Photo by Elizabeth Cooke (née Crerar)

    The Windyard

    I built a windyard for the wind;
    The wind like a wild vast dog came up
    To play with the weathervanes and corners
    My keyholes and my chinks.

    And for the sea I built a well;
    The brookish tomcat gurgled in,
    Waterfell and sprung about
    Hunting throats and boots.

    I stood a house up for the earth;
    The mappy girl came in
    With rut and footstep path
    That wind the traveler up.

    A stove I hammered for the sun;
    In flew the golden oriole
    To crackle the sticks of time
    And sing the loaves of space.

    Come girl well yard and stove,
    Come Flesh Heart Mind and Lyre,
    Come Earth Water Wind and Fire.
    Well, when they came
    Barking, meowing, talking and caroling,
    I stepped above both house and yard
    Into myself.

    James Reaney, 1956

     

    “The Windyard” is from The Essential James Reaney and available from The Porcupine’s Quill. The poem also appears in Poems by James Reaney, New Press, 1972.

    James Reaney’s emblem poems:

    In his recent book The Emblems of James Reaney, Thomas Gerry notes the connection between “The Windyard” and a later emblem poem “Windlady” from 1970:

    “Windlady” by James Reaney. First published in Armadillo 2 1970.

    “‘Windlady’ magnetically attracts two in particular of Reaney’s other works: the 1956 poem ‘Windyard’ and the play Listen to the Wind, first performed in 1966.” − Thomas Gerry in The Emblems of James Reaney, page 130, The Porcupine’s Quill, 2013.

    “Hark! Who knocks at our door so late?” Watercolour sketch by James Reaney, undated. (Possibly from 2001 and perhaps based on a childhood drawing or an illustration for a story. The old house, the tree, and the windmill are like the farmhouse near Stratford where James Reaney grew up.)
  • Alice Through the Looking-Glass in Winnipeg November 25 to December 19

    November 9th, 2015

    James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass opens at the Manitoba Theatre Centre at the John Hirsch Mainstage this month on November 25 to December 19.

    Alice Through the Looking-Glass at the Manitoba Theatre Centre, November 25 to December 19, 2015

    Originally directed by Jillian Keiley, this production was a hit at last summer’s Stratford Festival and  has now played in Ottawa at the National Arts Centre and in Charlottetown at the Confederation Centre of the Arts.

    Christine Brubaker is the director of the Manitoba Theatre Centre’s production. After Winnipeg, Alice’s next stop is the Citadel Theatre in Edmonton, February 27 to March 20, 2016.

    To purchase tickets, call 1-877-446-4500 (204-942-6537) or order online here.

    ♦ Not to be missed! Special “Monday Mix” pre-show chat on December 7

    ♦ “Talkback” post-show Q&A on December 1, 8, 15, and 16

    ♥ What reviewers are saying: “Manitoba actors and brilliant visuals make it a must to visit Alice!” — Randall King in The Winnipeg Free Press

    ♥ Gwendolyn Collins on playing Alice: “I think Alice has rubbed off on me a little.“ — The Winnipeg Free Press

    Gwendolyn Collins as Alice, Tristan Carlucci as Tweedledum, and Aaron Pridham as Tweedledee in Alice Through the Looking-Glass. (Photo courtesy Royal Manitoba Theatre Centre)
    Sunday September 26, 2015 in Winnipeg: Special guests play chess with Alice (Gwendolyn Collins) down at The Forks (Culture Days 2015).
    Alice Through the Looking-Glass costume designs by Bretta Gerecke, courtesy Royal Manitoba Theatre Centre.
    November 3, 2015: The cast of Alice Through the Looking-Glass, courtesy Royal Manitoba Theatre Centre.

    Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney is available from the Porcupine’s Quill.

  • The 2015 James Reaney Memorial Lecture with Thomas Gerry

    October 26th, 2015

    Thank you all for coming to the Stratford Public Library on Sunday October 18 to hear Thomas Gerry speak on “Theatrical Features of James Reaney’s Emblem Poems”. Professor Gerry focused in particular on the metaphor of perspective in James Reaney’s “Egypt” emblem poem.

    “When we were taught [as children] to draw railway tracks as meeting at a point, our world views shrank and were subjected to artificial limits. This analysis of perspective explains for readers of  Reaney’s emblems a good deal about the emblems’ style. They require their readers to ‘make a visionary correction’, and to see the world, in Blake‘s word, as ‘infinite’. — Thomas Gerry in The Emblems of James Reaney, page 73.

    “Egypt” by James Reaney. First published in Poetry (Chicago) 115.3, December 1969.

    Professor Gerry explained the tradition of the emblem poem in literature and its use of allegorical meaning to rouse the faculties. He also compared the pyramid structure from “Egypt” to the “family tree pyramid” poem that appears in James Reaney’s play Colours in the Dark:

    It takes
    Two parents
    Four Grandparents
    Eight Great grandparents
    Sixteen Great great grandparents
    Thirty-two Great great great grandparents
    Sixty-four Great great great great grandparents
    One hundred and twenty-eight Great great great great great grandparents
    Two hundred and fifty-six Great great great great great great grandparents
    Five hundred and twelve Great great great great great great great grandparents
    One thousand and twenty-four Great great great great great great great great grandparents

      He then led us in performing the poem and explained how “the pyramid shape recurs as an emblematic feature of the play” (The Emblems of James Reaney, page 84).

    October 18, 2015, Stratford Public Library Auditorium 

    Thank you, Thomas Gerry, for your spirited lecture, and thank you also to the staff of the Stratford Public Library — Sally Hengeveld, Julia Merritt, Krista Robinson, and Robyn Godfrey — for your support of this event.

    October 18, 2015 — Susan Reaney, Susan Wallace, Thomas Gerry, and James Stewart Reaney (Photo by Elizabeth Reaney)

    Next year’s speaker will be John Beckwith, composer, who collaborated with James Reaney on many musical works. The annual lecture is a project developed by The Stratford Public Library and Poetry Stratford, and features a talk by a person who is knowledgeable about the life and work of Stratford poet and playwright James Reaney and of writing in the Southwestern Ontario region, which is such a strong element in Reaney’s writing.

    Here are photographs from our happy afternoon near Stratford, courtesy Elizabeth Reaney:

  • Thomas Gerry on The Emblems of James Reaney — October 18 in Stratford

    October 1st, 2015
    The Emblems of James Reaney by Thomas Gerry (2013). Published by The Porcupine’s Quill.

    Join us on Sunday, October 18 at 2:30 pm at The Stratford Public Library Auditorium in Stratford, Ontario, for a talk by Thomas Gerry on his new book The Emblems of James Reaney.

    Former doctoral student of James Reaney’s and now professor of literature at Laurentian University, Thomas Gerry explores the history of the literary emblem, and explains the meanings behind ten of James Reaney’s emblem poems.

    “The Tree” and “The Riddle” are two of Reaney’s emblem poems featured in The Emblems of James Reaney:

    “The Riddle” by James Reaney. First published in Armadillo 2 1970.
    “The Tree” by James Reaney. First published in Poetry (Chicago) 115.3, December 1969.

    The Stratford Public Library is located at

    19 St. Andrew Street,

    Stratford, Ontario

    N5A 1A2.

     

    The Emblems of James Reaney is available from The Porcupine’s Quill.

    The annual lecture is a project developed by The Stratford Public Library and Poetry Stratford, and features a talk by a person who is knowledgeable about the life and work of Stratford poet and playwright James Reaney and of writing in the Southwestern Ontario region, which is such a strong element in Reaney’s writing.

  • Composer John Beckwith’s music at the Canadian Music Centre

    September 16th, 2015
    Composer John Beckwith (Photo courtesy the Canadian Music Centre)

    James Reaney was fortunate to have composer John Beckwith set many of his poems to music: The Great Lakes Suite, A Message to Winnipeg, and Twelve Letters to a Small Town. Beckwith and Reaney also collaborated on longer operas Night-blooming Cereus, The Shivaree, and Crazy to Kill.

    To listen to original recordings of Beckwith-Reaney works, visit the Canadian Music Centre‘s Composer Showcase.

    James Reaney and John Beckwith, Summer 2003, in London, Ontario. Photo by Colleen Reaney

     

    Note from Susan Reaney: In his new memoir, Unheard Of: Memoirs of a Canadian Composer,  John Beckwith recalls his career as a composer, including his collaborations with James Reaney. The book is available from Wilfrid Laurier University Press.

  • Goodbye to the Farm

    August 26th, 2015
    August 2010 — James Reaney’s birthplace and childhood home near Stratford, Ontario.

    August 15, 2015 — a sad day — we learned that the old farmhouse where James Reaney was born has been torn down. Our thanks to Laura Cudworth of The Stratford Beacon Herald for covering the story: http://www.stratfordbeaconherald.com/2015/08/22/the-childhood-home-of-renowned-south-easthope-author-james-reaney-has-been-torn-down

    Fondly remembered by the Reaney, Cooke, and Chamberlin Franken families, here are photos of the farm as it was.

    For a look back at the farm from 1971, see the TVOntario documentary “James Reaney” from the Canadian Writers series.

    Summer 1937 — The Reaney farmhouse and the old barnyard.  The original barn was built in 1869, and the house was built in 1875.
    James Reaney (far right) with his cousins, Elsie, Kathleen, and Mary, Summer 1930 near Stratford, Ontario.

     

    James Reaney feeding the chickens (age 5) with his cousins Mary and Elsie (1931)
    James Reaney in the garden at the farm, July 1985. (Photo by Wilma McCaig)

     

  • Jillian Keiley’s Alice Through the Looking-Glass moves across Canada

    July 8th, 2015
    Alice Through the Looking-Glass director Jillian Keiley with actors playing Alice across Canada: Gwendolyn Collins (Winnipeg’s Royal Manitoba Theatre Centre), Ellie Heath (Edmonton’s Citadel Theatre), Trish Lindström (the Stratford Festival) and, seated, Natasha Greenblatt (NAC and Charlottetown’s Confederation Centre of the Arts). Photographed in the Palm Room of Spadina House, Toronto, June 2015.

     

    June 25, 2015 — Now playing in Charlottetown at the Confederation Centre of the Arts, James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass will open in Winnipeg later this fall and in Edmonton next February. Director Jillian Keiley plans to have local performers for each production to bring last summer’s Stratford Festival hit to new cities.

    In other news, Jillian Keiley will continue in her role as Artistic Director of Canada’s National Arts Centre English Theatre; her contract has been extended for another four years. Congratulations, Jillian!

     In Charlottetown, you can purchase tickets by calling 1-800-565-0278 (902-566-1267) or order online here.

    ♦ We also hear good things about Evangeline, a new musical play at the Charlottetown Festival, and you won’t want to miss Anne of Green Gables.

     ♦ What reviewers are saying: “Alice Through the Looking-Glass” will leave you in awe.“ — Lennie MacPherson in The Guardian

    “… S
    urprises in every scene and you just have to see it for yourself.” — Cindy Lapeña in Opening Night Reviews PEI

    June 26, 2015 — The Confederation Centre of the Arts, Charlottetown, PEI

     

  • Alice Through the Looking-Glass in Charlottetown: June 24 to August 29

    June 17th, 2015

    This summer the Charlottetown Festival will present James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass at the Homburg Theatre at the Confederation Centre for the Arts in Charlottetown, Prince Edward Island.

    Alice Through the Looking-Glass at the Charlottetown Festival, June 24-August 29

    This production of Alice is the Atlantic Canada premiere of last summer’s  Stratford Festival hit. How fitting that Alice would journey to PEI — the home of Anne of Green Gables! Long ago Mark Twain called Anne Shirley “the dearest and most lovable child in fiction since the immortal Alice.”

    To purchase tickets, call 1-800-565-0278 (902-566-1267) or order online here.

    Trish Lindstrom as Alice in Alice Through the Looking-Glass, May 2014 at the Stratford Festival. Photo by Cylia Von Tiedemann.

     

    Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney is available from the Porcupine’s Quill.

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  • James Reaney’s emblem poem “The Farm”

    The Farm ( ( ( 0 ) ) ) For more about James Reaney’s poems and a look back at the family farm where James Reaney grew up, see the 1971 TVOntario documentary “James Reaney” in the Canadian Writers series. The Farm There was a farm divided in two1/2 of it surly brick maker ownedswale…

  • AlvegoRoot Theatre presents two Reaney plays in 2026

    2026 — James Reaney’s centenary year — is off to a good start with two plays based on his work from London’s AlvegoRoot Theatre. On February 20-21, AlvegoRoot presents two encore performances of Sleigh Without Bells: A Donnellys Story —  a short story by James Reaney from The Box Social and Other Stories (1996). Adam Corrigan Holowitz reprises his solo…

  • James Reaney’s Entire Horse

    Entire Horse Poems Written About The Donnellys To AssistThe Renewal of The Town Hall at Exeter, Highway #4 * IAround Borrisokane, in Eire, the roads twistAfter cowherds with willow gads, after wise woman’s spells,After chariots and the widest go-around found in a mare’s skin.But in Biddulph, Canada, in Mount Carmel’s brooder stove, St Peter’s fields,The…

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