“Balloon” by Colleen Thibuadeau in London, Ontario. Photo by Chrsitine Walde, 2012
Colleen knew about the plan to put her poem on a billboard earlier this year before she passed away and was thrilled to think that her poem would be writ large for all to see. Thank you so much!
“Balloon” is a concrete poem and was first published in 1965 in Colleen’s book Lozenges: Poems in the Shapes of Things by James Reaney’s Alphabet Press. For this month only, the London Public Library has free postcards of “Balloon.”
Colleen Thibaudeau Reaney, 1925-2012 Photo by Diane Thompson, 1997
We are sad to learn of the passing of Jay Macpherson, who was a longtime friend of James and Colleen Reaney and their family. Jay was a poet and University of Toronto professor who first came to know the Reaneys in the 1950s. She passed away on March 21, 2012.
Jay Macpherson, 1931-2012
Jay Macpherson will long be remembered for her kindness and intelligence, and her brilliant poetry. Here are two poems by Jay Macpherson that James Reaney published in the first issue of Alphabet in September 1960.
The Love-Song of Jenny Lear
Come along, my old king of the sea,
Don’t look so pathetic at me:
We’re off for a walk
And a horrid long talk
By the beautiful banks of the sea.
I’m not Arnold’s Margaret, the pearl
That gleamed and was lost in a whirl,
Who simpered in churches
And left him on porches,
But more of a hell of a girl.
Poor old fish, you’re no walker at all,
Can’t you spank up that elderly crawl?
I’ll teach you to hurdle,
Led on by my girdle,
With whalebone, elastic and all.
We’ll romp by the seashore, and when
You’ve enough, shut your eyes and count ten.
I’ll crunch down your bones,
Guts marrow and stones,
Then raise you up dancing again.
Love-Song II of Jenny Lear
Were I a Shakespearean daughter,
Safe restored through fire and water,
You the party in the crown
—Someone get the curtain down.
Jay Macpherson, 1960
“Six Toronto Poets”, Folkways Records, 1958
Jay Macpherson won the Governor General’s Award for Poetry in 1957 for her book The Boatman. She can be heard reading her poem “The Boatman” on “Six Toronto Poets,” a recording made in 1958 on Folkways Records. (James Reaney also reads his work on this album, along with Margaret Avison, W.W. Eustace Ross, Raymond Souster, and Anne Wilkinson.)
Perhaps the best way to conclude what should be said in praise of The Boatman is that it shows you how to get from “here to there”. If “here” is this world and “there” the world of Eternity, then this book of poems shows the reader all the necessary steps of the way. These are steps that I am sure an increasingly great number of readers and writers in Canada are going to find very exciting to take.
(Excerpted from James Reaney, “The Third Eye: Jay Macpherson’s The Boatman“, published in Canadian Literature, Issue No. 3, pages 24-24, Winter 1960, page 34.)
Thank you and congratulations to all the fine musicians and singers who performed Taptoo! so splendidly last month at the Jane Mallett Theatre at the St. Lawrence Centre for the Arts in Toronto. Your spirited performances brought the characters to life.
We especially liked young Daniel Bedrossian as Seth Jr. and Teddy Perdikoulias as Ebenezer Jr., and Lise Maher as Mrs. Jarvis and Allison Angelo as Atahentsic were wonderful in Act II. We loved Todd Delaney as Major John Graves Simcoe and Robert Longo as Colonel “Mad Anthony” Wayne.
Thank you, Larry Beckwith, for conducting and directing the orchestra and singers so well. And thank you, Guillermo Silva-Marin, General Director of Toronto Operetta Theatre, for making the premiere of John Beckwith and James Reaney’s work possible. We wish you every success in the future.
John Beckwith, composer, and his son Larry Beckwith, Conductor and Chorus Director at Taptoo!, February 25, 2012.
The Jane Mallett Theatre, Toronto, February 25, 2012
James Reaney and John Beckwith developed Taptoo! in 1994, when it had a workshop reading at Historic Fort York. Before this professional production (February 24-26, 2012), there were two presentations of Taptoo! by the students of McGill University (1999) and by the opera division of the University of Toronto Faculty of Music (2003).
Colleen Thibaudeau Reaney, poet and beloved wife of James Reaney, passed away on February 6, 2012 in London, Ontario. Colleen will long be remembered by her family, neighbours, and many friends.
The Star Over the House Quilt (Last night I dreamed…)
Last night I dreamed about you all under the Star Over the House Quilt;
I remember mother making it: the little squares of jonquil window lit
The doors, shutters often green. Your block has still the hollyhock (french knots)
Mine has the lilac (front yard), looking hard the lilacs still are blooming there,
The real ones down — time and town development don’t affect the quilt.
Each of us, house body, and the star, the star-filled head;
Each of us bedded down lifetime dreams the star-filled town
Waking goes walking the houses of our own making, talking the blocks away.
I might move into you taking on hollyhock but it’s not
Me really just the dreaming of the star-filled head.
The Star Over the House Quilt she made it extra size;
Her eyes puzzled out each stitch; she declared her fingers to be all pricked
And she licked the blood from roofs, sidewalks, from the small yards
With the ever-blooming trees pointing to the stars
Of the Star Over the House Quilt.
Sheila and Colleen in St. Thomas, Ontario, 1942
Colleen Thibaudeau and James Reaney, 1949
James Reaney and Colleen Thibaudeau near Stratford, Ontario, 1982.
Update March 3, 2012: In tribute to Colleen Thibaudeau and her work, the London Public Library, Brick Books, and Poetry London have commissioned a billboard with her poem “Balloon”. The billboard will go up sometime in the week of March 26, and there will be a a “Balloon” billboard launch on Saturday April 14 at 3:00 pm.The library is also printing postcards of “Balloon” to hand out during April, which is National Poetry Month.
On February 24-26 next month in Toronto, the Toronto Operetta Theatre will present the premiere of Taptoo!, an opera in two acts, libretto by James Reaney and music by John Beckwith.
The opera is based on events surrounding the founding of the town of York, Upper Canada (now Toronto), roughly from 1780-1810. Using real historical characters like Major John Graves Simcoe as well as imaginary ones, the story tells how a Quaker family, the Harples, flee America to Canada to escape mob violence:
From Scene 1:
MOB: Take off your hat
To the emblem of our state,
Our state, our state!
TWO VOICES: (shouting) The rattlesnake!
JESSE: Friends, I will
Take off my hat
To neither king nor republic
Nor a flag, nor a …
MOB: You don’t want freedom?
JESSE: Yes. Freedom from all oppressors
Kings or — mobs like yourselves!
MOB: (shouting in unison)
Take off your hat!
(Jesse does not move. Pause, then sudden quick action as they seize him.)
MOB: Tar and feather him!
Seize that tub,
Burn that little flag there!
In a recent article about his collaboration with James Reaney, John Beckwith describes the music of Taptoo! “as the modern equivalent of a ballad opera, in which scraps of familiar songs and dances would now and then drift in to the musical score. I included about 20 such musical references — hymn tunes, popular sentimental or patriotic songs, dances, marches and, of course, historical military music.”*
Taptoo! will be led by Larry Beckwith, Conductor, and Guillermo Silva-Marin is the Stage Director. Featured performers are Robert Longo,Michael Barrett, Todd Delaney, Sarah Hicks, and Mark Petracchi.
When: February 24 and 25 at 8 pm; February 26 at 2 pm
Where:Jane Mallett Theatre, St. Lawrence Centre, 27 Front Street East Toronto, M5E 1B4
Order your tickets here from the St. Lawrence Centre box office, or
by phone: (416) 366-7723 or 1-800-708-6754
See you there!
Old Fort York at the foot of Bathurst Street in 1793
The full libretto for James Reaney’s Taptoo! is available in Scripts: Librettos for Operas and Other Musical Works, published by Coach House Books.
*John Beckwith, “Portrait of a partnership,” Opera Canada, Fall 2011, page 32.
Congratulations to the singers and musicians who performed James Reaney and John Beckwith’s opera “Crazy to Kill” last weekend in Toronto, November 11-12, a Toronto Masque Theatre production. Here’s a rave review from some members of your enthusiastic audience:
We thought the production was fantastic! The opera singers can truly add “puppeteers” to their CV’s.
Loved the way everyone moved about the stage — when Agatha slowly drifted past us, it made us part of the story. A great set, with many levels (“rings”).
Loved the opening sewing scene when Agatha mimed the old treadle — and the sound effect, a great idea! Also loved her expressive face peering through the bed pillow — another great idea. The two musicians, Greg Oh (piano) and Ed Reifel (percussion), sounded like a full orchestra. We loved how they were in costume and part of the story!
You must all be exhausted, but also pleased that it was such a success. Jamie would have been delighted.
Thank you again, Susan, James, and Elizabeth
Two of the puppets from “Crazy to Kill.” The original puppets were designed and made by Anna Wagner Ott in 1989, and were refurbished by Ann and David Powell in 2011.
Crazy to Kill: Miss Scarth
Tim O’Connor, the red-haired asylum guard, was operated by Brendan Wall. Mezzo soprano Kimberly Barber, who played Agatha, operated Miss Scarth.
Costume designer Sue LePage chats with John Beckwith after the show, November 12, 2011
Pre-show talk with James Stewart Reaney, Larry Beckwith, and John Beckwith
Based on Ann Cardwell’s 1941 mystery novel about a series of murders in a mental asylum, the opera has 22 roles and requires three singers, two actors, and 18 puppets. In this production, David Ferry directs mezzo-soprano Kimberly Barber as Agatha, soprano Shannon Mercer as Mme. Dupont, Doug MacNaughton as Detective Fry, and actors Ingrid Doucet and Brendan Wall.
Crazy to Kill
Friday, Nov. 11 and Saturday, Nov. 12, 2011 at 8:00 p.m.
Pre-show chat with Artistic Director Larry Beckwith: 7:15 p.m.
Enwave Theatre at Harbourfront Centre 231 Queen’s Quay West
Thank you all for coming to the lecture on Sunday afternoon to hear composer Peter Denny talk about his collaboration with James Reaney on Terrible Swift Sword, an experimental modern opera. Denny played recordings of some of the music, which requires singer-actors who can improvise melodies to go with Reaney’s words.
Marian Johnson, producer and stage manager of the play, also spoke about her memories of the 1991 week-long workshop production. Actors Dale Bell and Joanne Lubansky read scenes from the play between General Beauregard and Letitia Beauregard.
Our thanks also to the organizers of the lecture at the Stratford Public Library, Charles Mountford, Anne Marie Heckman, and Sam Coghlan.
Join us on Sunday, October 16 at 2:30 pm at TheStratford Public Library Auditorium in Stratford, Ontario, for a talk by composer Peter Denny at the second annual James Reaney Memorial Lecture. Denny, a long-time friend, will speak about his collaboration with James Reaney on Terrible Swift Sword, an experimental modern opera.
James Reaney presented Terrible Swift Sword in a 1991 workshop at the Blyth Festival. The story, set in the defeated South at the end of the American Civil War, parallels the story of King Saul and David. Like the story, the music is also layered, built around a community production of Handel’s oratorio Saul.
In his lecture, Peter Denny will talk about the creative elements behind the 1991 performance of Terrible Swift Sword. He will play recordings of some of the music, and read from the script and from the Biblical source.
The annual lecture is a project developed by The Stratford Public Library and Poetry Stratford, and features a talk by a person who is knowledgeable about the life and work of Stratford poet and playwright James Reaney and of writing in the Southwestern Ontario region, which is such a strong element in Reaney’s writing.
Congratulations to actor David Ferry, who wrote to us earlier this month to share this good news:
June 7/11
I wanted to let you know that today I was honoured with the 2011 Barbara Hamilton Award for excellence in the performing arts. This is one of the five special Dora Mavor Moore awards presented annually at the announcement of the DORA nominations. I am thrilled to be selected by the jury for this honour and humbled to join the extraordinary group of past recipients, all of whom I know or knew and have worked with (as I did with Barbara Hamilton) – a true sign of aging I think.
I have been blessed in the past with eight DORA nominations and have won DORAs for Best Actor, Best Director, and Lighting Design. And doubly fortunate, I was nominated again for Best Actor for my performance in “Blasted” last fall. My wife Kyra Harper was nominated as best actress for her fine work in “Vincent River,” which makes me more happy than does my own fortune.
Congratulations, David, and best wishes for continuing success in the years to come!
David Ferry was one of the original cast members of James Reaney’s The Donnellys Part I, Sticks and Stones, which was first performed at the Tarragon Theatre in Toronto, Ontario on November 24, 1973. Here are fellow actors Jerry Franken and David Ferry together in the poster from the Tarragon production.
Jerry Franken and David Ferry in The Donnellys
David Ferry and Jerry Franken, May 30, 2011 in Stratford, Ontario
David Ferry has also recently edited a collection of plays by James Reaney for Playwrights Canada Press: Reaney Days in the West Room: Plays of James Reaney. David’s book includes seven of James Reaney’s plays: The Killdeer, Names and Nicknames, Listen to the Wind, The St.Nicholas Hotel, Gyroscope, Alice Through the Looking-Glass, and Zamorna!
James Reaney 