Archives: Canadian drama

Alice Through the Looking-Glass in Charlottetown: June 24 to August 29

This summer the Charlottetown Festival will present James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass at the Homburg Theatre at the Confederation Centre for the Arts in Charlottetown, Prince Edward Island.

This production of Alice is the Atlantic Canada premiere of last summer’s  Stratford Festival hit. How fitting that Alice would journey to PEI — the home of Anne of Green Gables! Long ago Mark Twain called Anne Shirley “the dearest and most lovable child in fiction since the immortal Alice.”

To purchase tickets, call 1-800-565-0278 (902-566-1267) or order online here.

AlicePEI

Alice Through the Looking-Glass at the Charlottetown Festival, June 24-August 29

 

Trish Lindstrom as Alice in Alice Through the Looking-Glass, May 2014; Ruby Joy is the Alice Double. Photo by Cylia Von Tiedemann.

Trish Lindstrom as Alice in Alice Through the Looking-Glass, May 2014 at the Stratford Festival. Photo by Cylia Von Tiedemann.

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Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney is available from the Porcupine’s Quill.

James Reaney on writing about the Donnellys

In this excerpt from an August 2001 interview conducted by Tim Struthers and published in the Spring 2013 issue of the journal Short Story, James Reaney sheds light on his fascination with the Donnelly massacre of 1880.

James Reaney first heard about the Donnellys from his stepfather when he was a child in the mid-1930s.

JR: I remember saying to my stepfather at the time, “Wouldn’t they have a door with a lock on it?” And he said, “Noooo, they wouldn’t have had a door with a lock on it. They had a piece of burlap bag across a hole in their shanty” … so that was pretty dreadful.
Anyway I was scared out of my wits. It was only twenty miles away from our farm. We were pretty much right next to it all at one time. And I just couldn’t believe it.

In 1946, local historian Alice MacFarlane gave a paper on the Donnellys at a meeting of the London and Middlesex Historical Society at the public library in London.

JR: [Alice MacFarlane’s paper] had all the usual elements of the story that Kelley tells, that people tell about the Donnellys still. And when she got to the part in her paper about how the Donnellys cut out the tongues of horses … an old man rose up out of the audience and came at her with a shillelagh … And he said “They never cut the tongues out of horses. Out of people, yes!” … And then he stomped out…

But I was fascinated as I read this in The Globe and Mail … And I realized the Donnellys had friends. I never thought that before, you see.

TS: When was this?

JR: It would be 1946.

TS: While you were an undergraduate at the University of Toronto.

JR: Yes. I’d been thinking about writing a play about them. The Kelley thing [Thomas P. Kelley’s The Black Donnellys] had not been written by that time. He’s 1954. And you couldn’t write a play about the story my stepfather told. So finding out that they had friends made a big difference. I began to think in terms of a play about them that would be a tragedy, rather than the kind of thing where it’s not tragic at all and they should be exterminated as soon as possible (laughter). Like many a modern horror film.

Note from Susan Reaney: This interview is excerpted from the Spring 2013 issue of Short Story, New Series Vol. 21 No. 1, pages 115-116. See also “Winter’s Tales”, a poem James Reaney wrote in 1949, which makes an oblique reference to “…the massacre at Lucan / Where the neighbours killed all of the McKilligans dead.”

James Reaney wrote a trilogy of plays about the Donnelly family and the tragedy: Sticks and Stones (1973), The St. Nicholas Hotel (1974), and Handcuffs (1975). He also edited and wrote the introduction to The Donnelly Documents: An Ontario Vendetta, published by The Champlain Society in 2004.

The story of the Donnellys continues to fascinate us and has inspired many other playwrights, including Peter Colley and Paul Thompson. London historian and filmmaker Chris Doty restaged the Donnelly trial, and Jeff Culbert wrote and performed a one-man musical version The Donnelly Sideshow. Jonathan Christenson‘s rock opera version of the Donnelly tragedy, Vigilante, opened this month at Edmonton’s Citadel Theatre.

Jerry Franken and David Ferry in The Donnellys

Jerry Franken and David Ferry in Sticks and Stones, at the Tarragon Theatre in Toronto, 1973

 

“Gifts” by James Reaney

Gifts

Existence gives to me
What does he give to thee?

He gives to me:  a pebble
He gives to me:  a dewdrop
He gives to me:  a piece of string
He gives to me:  a straw

Pebble  dewdrop  piece of string  straw

The pebble is a huge dark hill I must climb
The dewdrop’s a great storm lake you must cross
The string was a road he could not find
The straw will be a sign whose meaning they forget

Hill  lake  road   sign

What was it that changed the scene
So desert fades into meadows green?

The answer is that they met a Tiger
The answer is that he met a Balloon,
A Prostitute of Snow, A Gorgeous Salesman
As well as a company of others such as
Sly Tod, Reverend Jones, Kitty Cradle and so on

Who was the Tiger?  Christ
Who was the Balloon?  Buddha
Emily Bronte and the Emperor Solomon
Who sang of his foot in the doorway.
All these met him. They were hopeful and faithful.

Now the mountain becomes  a pebble in my hand
The lake calms down   to a dewdrop in a flower
The weary road  is a string around your wrist
The mysterious sign  is a straw that whistles “Home”

Pebble  dewdrop  piece of string  straw

James Reaney, 1965

From Poems by James Reaney, New Press, 1972. “Gifts” also appears in James Reaney’s  play Colours in the Dark, which premiered at the Stratford Festival in 1967.

James Reaney (age 4) with his cousins, Elsie, Kathleen, and Mary, Summer 1930 near Stratford, Ontario.

James Reaney (far right) with his cousins, Elsie, Kathleen, and Mary, Summer 1930 near Stratford, Ontario.

James Reaney feeding the chickens (age 5) with his cousins Mary and Elsie (1931)

James Reaney feeding the chickens (age 5) with his cousins Mary and Elsie (1931)

 

James Reaney's childhood home near Stratford, Ontario

James Reaney’s childhood home near Stratford, Ontario

Alice Through the Looking-Glass at Stratford May 31 to October 12

James Reaney’s thoughts on putting on your own version of Lewis Carroll’s Alice Through the Looking-Glass:

Is There Life After Alice? That is, after you’ve seen the show, what do you do when you get home? … Once when I was eight, I had a parallel experience to the one you may have just had, of watching a professional production, authentically acted with exuberance and supported by sophisticated design and fabulous illusions and compelling direction. My theatrical experience wasn’t a play though. In those days, Stratford was not as lucky as it is nowadays, but what it was was my very first circus — Ringling Brothers — an absolutely enthralling show, unforgettably enchanting. The only reaction you could have was to go home and put on your own circus, in this case with my cousins and whatever the farm could muster. Cows as elephants? Of course, you couldn’t rival the production you had just seen, but what you could do was with your own simplicity rival its feeling, and the attempt turned me into an artist. I don’t see this as an improbable effect of the show you have just seen and I hope that the various first steps I have described in paralleling its effects and impacts may lead some of you to a lasting love of theatre and art…

—From Lewis Carroll’s Alice Through the Looking-Glass: Adapted for the stage by James Reaney, pages 133 and 141.

James Reaney leading an Alice workshop at Stratford Central Secondary School (Stratford Collegiate) in 1994. Photo by Scott Wishart, Stratford Beacon Herald.

James Reaney leading an Alice workshop at Stratford Central Secondary School (Stratford Collegiate) in 1994. Photo by Scott Wishart, Stratford Beacon Herald.

Jillian Keiley’s new production of Alice Through the Looking-Glass continues this summer at the Stratford Festival, May 31 to October 12. To buy tickets, contact the box office at 1.800.567.1600 or visit stratfordfestival.ca

Trish  Lindström as Alice in "Alice Through the Looking-Glass", May 31 to October 12 at the Avon Theatre in Stratford, Ontario.

Trish Lindström as Alice in “Alice Through the Looking-Glass”, May 31 to October 12 at the Avon Theatre in Stratford, Ontario.

"Alice's Dinner Party" scene from Alice Through the Looking-Glass, Avon Thetare, Stratford, Ontario 2014. Photo courtesy The Stratford Festival.

“Alice’s Dinner Party” scene from Alice Through the Looking-Glass, Avon Thetare, Stratford, Ontario 2014. Photo courtesy The Stratford Festival.

 

Win a copy of Alice Through the Looking-Glass!

To celebrate the new Stratford Festival production of James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass, the Porcupine’s Quill is offering a chance to win a free copy of the book!

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Illustration by James Reaney, 1994 (page 15)

Illustration by James Reaney, 1994 (page 15)

 

Jillian Keiley’s new production of Alice Through the Looking-Glass continues this summer at the Stratford Festival, May 31 to October 12. To buy tickets, contact the box office at 1.800.567.1600 or visit stratfordfestival.ca

 

Trish Lindstrõm as Alice in Alice Through the Looking-Glass, May 2014; Ruby Joy is the Alice Double. Photo by Cylia Von Tiedemann.

Trish Lindstrom as Alice in Alice Through the Looking-Glass, May 2014 (Ruby Joy is the Alice Double). Photo by Cylia Von Tiedemann.

"Alice's Dinner Party" scene from Alice Through the Looking-Glass, Avon Thetare, Stratford, Ontario 2014. Photo courtesy The Stratford Festival.

“Alice’s Dinner Party” scene from Alice Through the Looking-Glass, Avon Theatre, Stratford, Ontario 2014. Photo courtesy The Stratford Festival.

 

Alpha Centre 1967: Monday June 9 at 7pm

Join us on Monday June 9 at 7 pm at the London Public Library for a lecture by James Stewart Reaney (James Reaney’s son) about the founding of Alpha Centre, an arts space devoted to drama where many of James Reaney’s “Listeners’ Workshops” were held. James Reaney described the new space and the activities there in Issue 13 of Alphabet (June 1967):

“[…] Just out of range — that part of Talbot Street across Dundas where a newly painted green door has appeared leading to newly founded Alpha Centre — in part a fulfullment of the editorial for Alphabet (4) — devoted to drama in Canada. This is “the bare long room” up above a store — it’s an old Legion Hall. Here Listeners’ Theatre Workshop has been meeting with its new kind of play theatre — children and young people pretending to be mirrors chromosomes marionettes, trees, rivers, — the Victoria Boat Disaster. Here Jack Chambers has been working on his Viet Nam film [Hybrid (1966)] transposing images of roses with those of burnt children.  Here all of Paradise Lost and all of Blake’s Jerusalem were read at a sitting — experiences that showed me new depths in these poems….” [Alphabet Issue 13, June 1967, Editorial, page 2]

Note from Susan Reaney: My brother James is the first speaker in the library’s new series of local talks — Terrific Tales of London and the Area. If you remember the green door at 389 Talbot Street, come to the Stevenson & Hunt Room at the London Public Library (Central Branch) on Monday June 9th at 7 pm to share your stories. (The Alphabet Press printing shop was not far from Alpha Centre on the second floor of the Dixon Building, 430 Talbot Street.)

 

James Reaney and family in 1965 in Leith, Ontario. Standing left to right are the adults: Colleen Reaney, Wilma McCaig (Jamie's sister), and James Reaney. The children are John Andrew Reaney, James Stewart Reaney, and Susan Reaney (beside Applebutter). Photo by Jay Peterson.

James Reaney and family in 1965 in Leith, Ontario. Standing left to right are the adults: Colleen Reaney, Wilma McCaig (Jamie’s sister), and James Reaney. The children are John Andrew Reaney, James Stewart Reaney, and Susan Reaney (beside Applebutter). Photo by Jay Peterson.

Alice Through the Looking-Glass opens on May 31st

Previews for the new production of Lewis Carroll’s Alice Through the Looking-Glass, adapted for the stage by James Reaney, began earlier this month at the Stratford Festival. Director Jillian Keiley and designer Bretta Gerecke promise a lavish, child-inspired production:

“As children take inspiration from their own lives, Bretta and I have planned a world as created by the child Alice – full of bicycles and toy wagons, kites and chessboards,” says Ms Keiley. “But since this world is through the looking-glass, bicycles have giant trees growing out of the handlebars, red toy wagons inspire a flotilla for the Queen’s entrance, and the kings and queens of chessboards join all the characters from Alice’s mounds of books. Our goal is to tap into that wonderful world of seven-year-olds, where anything is not only possible but likely, and the only thing you can reasonably expect is the unexpected.”

The show runs May 31 to October 12 at the Avon Theatre in Stratford, Ontario. For tickets, contact the box office at 1.800.567.1600 or visit stratfordfestival.ca

For a tantalizing glimpse of the production, see the “Alice Through the Looking-Glass” preview on YouTube.

Update June 2: What reviewers are saying: “Lufrednow. Or, from the other side of the looking glass: wonderful.”Laura Cudworth in The Beacon Herald
“This smashing production of Alice Through the Looking-Glass truly deserves it. If you don’t know a child, rent one for the afternoon and go see this show.” — Richard Ouzounian, The Toronto Star

For more about the Alice opening show, see JBNBlog.

 

Trish Lindström as Alice in "Alice Through the Looking-Glass", May 31 to October 12 at the Avon Theatre in Stratford, Ontario.

Trish Lindström as Alice in “Alice Through the Looking-Glass,” May 31 to October 12 at the Avon Theatre in Stratford, Ontario.

 

Cynthia Dale as The Red Queen in "Alice Through the Looking-Glass", May 31 to October 12, 2014

Cynthia Dale as The Red Queen in “Alice Through the Looking-Glass,” May 31 to October 12, 2014

Flower from Alice Through the Looking-glass, April 5, 2014. Courtesy Stratford Beacon Herald.

Flower from Alice Through the Looking-Glass, April 5, 2014. Courtesy Stratford Beacon Herald.

“Alice” events at the Stratford Festival Forum

Several Forum events and activities offer a chance to explore Alice Through the Looking-Glass, including Alice Adventure Lunches, a themed meal and activity to ignite your child’s imagination before the magic unfolds on stage; Adapting Alice, a panel discussion including Jillian Keiley and Peter Hinton, playwright for the Shaw Festival; and Acting Up: Alice, a drama workshop in which 8- to 10-year-olds use costumes to explore scenes and characters from the play.

Alice Through the Looking-Glass is a Schulich Children’s Play presentation and produced in association with Canada’s National Arts Centre.

At the May 5, 2014 preview performance of Alice Through the Looking-Glass, Chris Spaleta from Seaforth, Ontario was presented with a lifetime pass for two for being the Stratford Festival’s 26 millionth patron! 

May 5, 2014: Chris Spaleta with the cast of Alice Through the Looking-Glass.

May 5, 2014: Chris Spaleta with the cast of Alice Through the Looking-Glass. Photo courtesy Stratford Beacon Herald.

Alice Through the Looking-Glass at Stratford Festival May 31 to October 12

This spring the Stratford Festival will present James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass at the Avon Theatre in Stratford, Ontario.

Alice will be directed by Jillian Keiley, an award-winning director from St. John’s, Newfoundland. Cast members include Trish Lindström as Alice, Cynthia Dale as the Red Queen, Dion Johnstone as the White King, Tom McCamus as the March Hare, and Brian Tree as Humpty Dumpty.

To purchase tickets, call 1-800-567-1600 or order online here.

Dion Johnstone, Trish Lindstrom, and Cynthia Dale in Alice Through the Looking-Glass, May 31- October 12, 2014 in Stratford, Ontario.

Dion Johnstone, Trish Lindstrom, and Cynthia Dale in Alice Through the Looking-Glass, May 31- October 12, 2014 in Stratford, Ontario.

 

Notes on James Reaney’s adaptation

In 1991, David William, then Artistic Director of the Stratford Festival, commissioned James Reaney to adapt Alice Through the Looking-Glass for the stage.  James Reaney recalls the many months writing and rewriting the play and attending workshops:

“So, as the preparatory workshop with the Young Company started in the fall of 1992, my adaptation had pretty well shaken down into its present shape except that a great deal of my commentary and suggestions were kept as part of the rehearsed reading shown to Richard Monette and David William and invited guests so that I myself actually read my mental landscapes of Looking-glass in fear and trembling since the many rewrites and keeping this and dropping that produced landmines for cues […]

Mr Monette took to the story as played that night in late October and also to its trajectory away from the Third Stage to the Avon with a cast [that included] Douglas Rain as Humpty and Barbara Bryne as the White Queen, both actors who had in 1967 appeared in my first Stratford play, Colours in the Dark.”

—From the Foreword to Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney, pages 12-14, The Porcupine’s Quill, 1994.

James Reaney’s adaptation of Alice Through the Looking-Glass premiered at the Stratford Festival in 1994 and was revived in 1996. The play is available in Reaney Days in the West Room: Plays of James Reaney, David Ferry, ed., Playwrights Canada Press, 2008.

Illustration by James Reaney, 1994. "I am very proud to have helped with such a delightful show with designers, magician, composer, actors, director, and backstage staff who have seen to it that Carroll's magic text and verbal wit is made all the more powerful." James Reaney, Foreword, 1994, page 15.

Illustration by James Reaney, 1994. “I am very proud to have helped with such a delightful show with designers, magician, composer, actors, director, and backstage staff who have seen to it that Carroll’s magic text and verbal wit is made all the more powerful.” James Reaney, Foreword, 1994, page 15.

Video link to David Ferry’s lecture on Directing Reaney

Thank you all for joining us on October 20 for the Fourth Annual James Reaney Memorial Lecture to hear David Ferry’s talk on “Directing Reaney: From Black Feet to Main Street.” (If you missed David’s presentation, a video link is available on genienet.ca.)

Forty years ago on October 20, 1973, David Ferry began rehearsals for the Tarragon Theatre’s production of James Reaney’s Sticks and Stones: The Donnellys Part I. Earlier that summer, director Keith Turnbull and James Reaney workshopped the play in Halifax with actors David Ferry, Patricia Ludwick, and Jerry Franken, along with other actors from the Neptune Theatre.

David spoke about his experiences both acting in and directing the Donnelly trilogy, including The St. Nicholas Hotel and Handcuffs. Questions from the audience included what attracts actors to the plays, what are the prospects for future professional productions, and whether each play truly stands alone outside of the trilogy.

 

David Ferry's lecture on James Reaney, October 20, 2013 at the Stratford Public Library

David Ferry’s lecture on James Reaney, October 20, 2013 at the Stratford Public Library

Charles Maidment has posted a video recording of David Ferry’s lecture on genienet.ca. Thank you, Charles! (Be advised that this video is 58 minutes long and takes about four minutes to load. To boost the volume, click on the audio button at the bottom of the viewing screen.)

Many thanks to the organizers of the lecture at the Stratford Public LibraryCharles Mountford, Anne Marie Heckman, and Sam Coghlan — for your continued support of this event.

Next year’s speaker will be Tim Inkster, publisher at Porcupine’s Quill. See you then!

Here are photos David Ferry shared from his production of Sticks and Stones at Bishop’s University in March 2013.

 

March 2013: Set for Sticks and Stones at Bishop’s University

March 2013: Set for Sticks and Stones at Bishop’s University

March 14, 2013: Sticks and Stones at Bishop’s University

March 14, 2013: Sticks and Stones at Bishop’s University

March 14, 2013: Sticks and Stones at Bishop’s University

March 14, 2013: Sticks and Stones at Bishop’s University

 

 

James Reaney Memorial Lecture October 20 in Stratford

Join us on Sunday, October 2o at 2:30 pm at The Stratford Public Library Auditorium in Stratford, Ontario, for a talk by actor and director David Ferry on “Directing Reaney.”

David Ferry was one of the original cast members of James Reaney’s The Donnellys Part I, Sticks and Stones, which was first performed in 1973 at the Tarragon Theatre in Toronto, Ontario.  He has won Dora Mavor Moore Awards for both his acting and directing, and recently directed James Reaney’s Sticks and Stones at Bishop’s University in March 2013.

The annual lecture is a project developed by The Stratford Public Library and Poetry Stratford, and features a talk by a person who is knowledgeable about the life and work of Stratford poet and playwright James Reaney and of writing in the Southwestern Ontario region, which is such a strong element in Reaney’s writing.

The Stratford Public Library is located at

 19 St. Andrew Street,

 Stratford, Ontario

 N5A 1A2.

© 2017 James Reaney