James Reaney’s “The Baby”

The Baby

Small babe, tell me
As you sat in your mother’s cave
What did you build there,
Little baby mine?

Sir, I made the tooth
I invented the eye
I played out hair on a comb-harp
I thought up the sigh.

I pounded the darkness to
Guts, Heart and Head:
America, Eurasia and Africa
I out of chaos led.

I fought the goblins
For the heart;
‘Twas a jewel they desired,
But I held it.

I fought off the rats
From the guts.
They nibbled but I
Smashed the mutts.

I choked the bat so intent
For the diamond of my mind;
I caught him in the ogre’s cellar
The tub of blood behind.

And the darkness gave me
Two boneless wands or swords:
I knew not their meaning then
Whether traps or rewards.

One was the vorpal phallus
Filled with jostling army,
Henhouse and palace
Street crowds and history.

Two was the magic tongue
Stuffed with names and numbers,
The string of song,
The waker from fallen slumbers.

My mother opened her grave,
I sprang out a giant
Into another cave
Where I was a seed again.

Hapless and wriggly small
As in my father’s groin:
My Shakespeare’s tongue a wawl
And impotent my loin.

The sun-egg I must reach
Was steeples far away,
The world that I must name
Was shapeless, sneaky gray.

Is it wonder then I rage
An old man one hour old,
A bridegroom come to a bride
Careless, unready and cold.

My wedding cake’s still in the field;
My bride is ninety and maggoty;
My groomsmen glaring hangmen;
My bridal bed bouldery.

Small babe, tell me
As you sit in your mother’s cave
What did you build there,
Little baby mine?

James Reaney, 1959

“The Baby” is part of a sequence of poems from James Reaney’s play One-man Masque, first performed by the author on April 5-6, 1960 at the Hart House Theatre in Toronto. You can also find the poem in The Essential James Reaney (2009), available from The Porcupine’s Quill.

Listen to Jeff Culbert read “The Baby” here.

Jeff Culbert in One-Man Masque, Grand Theatre McManus Studio, London, Ontario, 2002

One-man Masque (1960) is available in Two Plays by James Reaney, along with Gentle Rain Food Co-op (1997), published by Ergo Books in 2003.

James Reaney’s The Chough

The Chough

The chough, said a dictionary,
Is a relation of the raven
And a relative of the crow.
It’s nearly extinct,
But lingers yet
In the forests about Oporto.
So read I as a little child
And saw a young Chough in its nest,
Its very yellow beak already tasting
The delicious eyes
Of missionaries and dead soldiers;
Its wicked mind already thinking
Of how it would line its frowsy nest
With the gold fillings of dead men’s teeth.
When I grew older I learned
That the chough, the raven and the crow
That rise like a key signature of black sharps
In the staves and music of a scarlet sunset
Are not to be feared so much
As that carrion bird, within the brain,
Whose name is Devouring Years,
Who gobbles up and rends
All odds and ends
Of memory, good thoughts and recollections
That one has stored up between one’s ears
And whose feet come out round either eye.

James Reaney, 1949

The Yellow-billed or Alpine Chough and the Red-billed Chough of the Corvidae family. Illustration by Johann Friedrich Naumann (1780–1857) courtesy Wikipedia.

“The Chough” is from James Reaney’s first book of poems The Red Heart (1949), and it also appears in The Essential James Reaney (2009), available from The Porcupine’s Quill.

Alice Through the Looking-Glass at Stratford Festival May 31 to October 12

This spring the Stratford Festival will present James Reaney’s adaptation of Lewis Carroll’s Alice Through the Looking-Glass at the Avon Theatre in Stratford, Ontario.

Alice will be directed by Jillian Keiley, an award-winning director from St. John’s, Newfoundland. Cast members include Trish Lindström as Alice, Cynthia Dale as the Red Queen, Dion Johnstone as the White King, Tom McCamus as the March Hare, and Brian Tree as Humpty Dumpty.

To purchase tickets, call 1-800-567-1600 or order online here.

Dion Johnstone, Trish Lindstrom, and Cynthia Dale in Alice Through the Looking-Glass, May 31- October 12, 2014 in Stratford, Ontario.

Notes on James Reaney’s adaptation

In 1991, David William, then Artistic Director of the Stratford Festival, commissioned James Reaney to adapt Alice Through the Looking-Glass for the stage.  James Reaney recalls the many months writing and rewriting the play and attending workshops:

“So, as the preparatory workshop with the Young Company started in the fall of 1992, my adaptation had pretty well shaken down into its present shape except that a great deal of my commentary and suggestions were kept as part of the rehearsed reading shown to Richard Monette and David William and invited guests so that I myself actually read my mental landscapes of Looking-glass in fear and trembling since the many rewrites and keeping this and dropping that produced landmines for cues […]

Mr Monette took to the story as played that night in late October and also to its trajectory away from the Third Stage to the Avon with a cast [that included] Douglas Rain as Humpty and Barbara Bryne as the White Queen, both actors who had in 1967 appeared in my first Stratford play, Colours in the Dark.”

—From the Foreword to Lewis Carroll’s Alice Through the Looking-Glass: adapted for the stage by James Reaney, pages 12-14, The Porcupine’s Quill, 1994.

James Reaney’s adaptation of Alice Through the Looking-Glass premiered at the Stratford Festival in 1994 and was revived in 1996. The play is available in Reaney Days in the West Room: Plays of James Reaney, David Ferry, ed., Playwrights Canada Press, 2008.

Illustration by James Reaney, 1994. “I am very proud to have helped with such a delightful show with designers, magician, composer, actors, director, and backstage staff who have seen to it that Carroll’s magic text and verbal wit is made all the more powerful.” James Reaney, Foreword, 1994, page 15.

James Reaney’s “Maps” from Souwesto Home

Maps

To go where I first saw maps
Is almost too simple perhaps.
Find Pork Street or Hessestrasse
And come up McKone’s sideroad past Cardwell’s
Till you hit Elmhurst School
Where time is reckoned by a Pequenaut clock
Manufactured in Kitchener, alias Berlin.
And space is taught by gray green windows
Unrolled from their special “map” cupboard
And hung upon the wall with us looking up
At continents Mercatorized,
Anything British vermilionized,
With funny stripes for Palestine
And Egypt, Iraq, Persia and Danzig,
Places only half imperialized,
Or spheres of influence;
However, just over the map cupboard,
Was a wall of continuous windows
That contained my uncle’s fields,
When school was over
Basically my way home landscape.
It was a map too!
Its scale was an inch to an inch,
A mile to a mile.
There was no map to guide me home
Save this one and a path.
Teaching itself, white with snow, gray sky,
Blurred tree sticks, ditch, swamp,
Forest, meadow, yard, home.
Inside my school — the whole world
In a round globe, or flat maps;
Outside our school — a part of the world
Too big to be taught.

James Reaney, 2005

 “Maps” is from Souwesto Home, a collection of James Reaney’s poems from 2005 and published by Brick Books. Listen to Jeff Culbert perform “Maps” and other poems from Souwesto Home here.

The Elmhurst School mentioned in “Maps” was a one-room schoolhouse where James Reaney attended elementary school from 1933-1939. Elmhurst School was northeast of Stratford, Ontario, and about one mile from the farm where James Reaney grew up. In his autobiography (1992), James Reaney describes his walk to school:

“To go to school, I left the house by its formal front door, not much used, going by a hall dresser whose combination chest with seat-lid was filled with powerfully sweet-smelling grass seed. The way to public school lay first through the relic of a Victorian dooryard, uncut locust hedge reaching up farther every year, four apple trees shaded by big maples where once, very early (1870) had been a garden. Then, the gables of the house still visible behind me, a field, the edge of a bush [woods] and swamp, Cardwell’s flats — difficult to cross with high water after floods — and a ditch across which my father had sort of established a floating, single log bridge.”

(This excerpt is from James Crerar Reaney, Contemporary Authors Autobiography Series, Volume 15, page 297, Gale Research Inc., Detroit, 1992.)

James Reaney off to Elmhurst School in 1936
The pupils of Elmhurst School with their teacher, Miss Helen Coveney, in 1936. James Reaney (age 10) is in the top row, third from the left.