Jay Macpherson 1931-2012

We are sad to learn of the passing of Jay Macpherson, who was a longtime friend of James and Colleen Reaney and their family. Jay was a poet and University of Toronto professor who first came to know the Reaneys in the 1950s. She passed away on March 21, 2012.

Jay Macpherson, 1931-2012

Jay Macpherson will long be remembered for her kindness and intelligence, and her brilliant poetry. Here are two poems by Jay Macpherson that James Reaney published in the first issue of Alphabet in September 1960.

The Love-Song of Jenny Lear

Come along, my old king of the sea,
Don’t look so pathetic at me:
We’re off for a walk
And a horrid long talk
By the beautiful banks of the sea.

I’m not Arnold’s Margaret, the pearl
That gleamed and was lost in a whirl,
Who simpered in churches
And left him on porches,
But more of a hell of a girl.

Poor old fish, you’re no walker at all,
Can’t you spank up that elderly crawl?
I’ll teach you to hurdle,
Led on by my girdle,
With whalebone, elastic and all.

We’ll romp by the seashore, and when
You’ve enough, shut your eyes and count ten.
I’ll crunch down your bones,
Guts marrow and stones,
Then raise you up dancing again.

Love-Song II of Jenny Lear

Were I a Shakespearean daughter,
Safe restored through fire and water,
You the party in the crown
—Someone get the curtain down.

Jay Macpherson, 1960

“Six Toronto Poets”, Folkways Records, 1958

Jay Macpherson won the Governor General’s Award for Poetry in 1957 for her book The Boatman. She can be heard reading her poem “The Boatman” on “Six Toronto Poets,” a recording made in 1958 on Folkways Records. (James Reaney also reads his work on this album, along with Margaret Avison, W.W. Eustace Ross, Raymond Souster, and Anne Wilkinson.)

Here is part of James Reaney’s appreciation of Jay Macpherson’s The Boatman from Canadian Literature No. 3, Winter 1960:

Perhaps the best way to conclude what should be said in praise of The Boatman is that it shows you how to get from “here to there”. If “here” is this world and “there” the world of Eternity, then this book of poems shows the reader all the necessary steps of the way. These are steps that I am sure an increasingly great number of readers and writers in Canada are going to find very exciting to take.

(Excerpted from James Reaney, “The Third Eye: Jay Macpherson’s The Boatman“, published in Canadian Literature, Issue No. 3, pages 24-24, Winter 1960, page 34.)

 

Taptoo! in Toronto and John Beckwith’s new memoir

Thank you and congratulations to all the fine musicians and singers who performed Taptoo! so splendidly last month at the Jane Mallett Theatre at the St. Lawrence Centre for the Arts in Toronto.  Your spirited performances brought the characters to life.

We especially liked young Daniel Bedrossian as Seth Jr. and Teddy Perdikoulias as Ebenezer Jr., and Lise Maher as Mrs. Jarvis and Allison Angelo as Atahentsic were wonderful in Act II. We loved Todd Delaney as Major John Graves Simcoe and Robert Longo as Colonel “Mad Anthony” Wayne.

Thank you, Larry Beckwith, for conducting and directing the orchestra and singers so well. And thank you, Guillermo Silva-Marin, General Director of Toronto Operetta Theatre, for making the premiere of John Beckwith and James Reaney’s work possible. We wish you every success in the future.

John Beckwith, composer, and his son Larry Beckwith, Conductor and Chorus Director at Taptoo!, February 25, 2012.
The Jane Mallett Theatre, Toronto, February 25, 2012

James Reaney and John Beckwith developed Taptoo! in 1994, when it had a workshop reading at Historic Fort York. Before this professional production (February 24-26, 2012), there were two presentations of Taptoo! by the students of McGill University (1999) and by the opera division of the University of Toronto Faculty of Music (2003).

In his new memoir, Unheard Of: Memoirs of a Canadian Composer John Beckwith recalls his life as a composer, including his collaborations with James Reaney. The book is available from Wilfrid Laurier University Press.

James Reaney and John Beckwith, Summer 2003, in London, Ontario. Photo by Colleen Reaney